Statue e dipinti nel Poema paradisiaco
Abstract
Within the poetic imagery that takes shape in the Poema paradisiaco, painting and sculpture echo with particular prominence in numerous texts, thickening especially in the second section of the collection, Hortus larvarum. The aim of this presentation is to analyse the different nuances and poetic-literary function possessed by pictorial and sculptural images in a work in which the lesson of classical myth and the pre-Raphaelite artists' canvases is modelled in a symbolic-decadent key by d'Annunzio's admirable art of the word.
Submitted: Feb. 11, 2024 | Accepted: May 10, 2024 | Published Oct. 17, 2024 | Language: it
Keywords Dreams • Gabriele d'Annunzio • Time • Silences • Painting • Sculpture • Symbolism • Mysteries • Poema Paradisiaco • Twentieth century • Memories • Decadentism
Copyright © 2024 Emanuele Delfiore. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/AdA/2421-292X/2024/01/006