L’immagine del progetto di allestimento nell’Italia degli anni Cinquanta e

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DC Field	Value
dc.identifier	ECF_chapter_7237
dc.contributor.author	Nalesso Andrea
dc.title	L’immagine del progetto di allestimento nell’Italia degli anni Cinquanta e Sessanta. Dallo schizzo concettuale all’opera realizzata
dc.type	Chapter
dc.language.iso	it
dc.description.abstract	Exhibiting is a physical outcome. The relation between artworks, visitors and display is represented by many media – not only by photographs – that enhance our historical knowledge of Italian Design. Recent research suggests that drawing plays a fundamental role in architect learning practice, particularly referring to the draftsmanship and the significance of pen and pencil sketching. Drawing by hand is an important tool capable of stimulating and training visual thinking. Though it retains personal connections to the drawer’s skills, it represents the concrete translation of the designer’s thought. The purpose of the paper is to present the exhibition design image of Italian shows between the 1950s and the 1960s through the originator’s conceptual sketch.
dc.relation.ispartof	Quaderni di Venezia Arti
dc.publisher	Edizioni Ca’ Foscari - Venice University Press, Fondazione Università Ca’ Foscari
dc.issued	2022-05-13
dc.dateSubmitted	2021-10-28
dc.identifier.uri	http://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-589-6/limmagine-del-progetto-di-allestimento-nellitalia/
dc.identifier.doi	10.30687/978-88-6969-588-9/002
dc.identifier.eissn	2784-8868
dc.identifier.isbn
dc.identifier.eisbn	978-88-6969-588-9
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	no
dc.subject	Drawing
dc.subject	Exhibition set up
dc.subject	Exhibitions
dc.subject	Italy
dc.subject	Sketch

Chapter
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L’immagine del progetto di allestimento nell’Italia degli anni Cinquanta e Sessanta

Dallo schizzo concettuale all’opera realizzata

Andrea Nalesso Università Ca’ Foscari Venezia, Italia

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abstract

Exhibiting is a physical outcome. The relation between artworks, visitors and display is represented by many media – not only by photographs – that enhance our historical knowledge of Italian Design. Recent research suggests that drawing plays a fundamental role in architect learning practice, particularly referring to the draftsmanship and the significance of pen and pencil sketching. Drawing by hand is an important tool capable of stimulating and training visual thinking. Though it retains personal connections to the drawer’s skills, it represents the concrete translation of the designer’s thought. The purpose of the paper is to present the exhibition design image of Italian shows between the 1950s and the 1960s through the originator’s conceptual sketch.

Published

May 13, 2022

Submitted

Oct. 28, 2021

Language

ISBN (EBOOK)

978-88-6969-588-9

Keywords: Italy • Exhibitions • Drawing • Exhibition set up • Sketch

permalink: http://doi.org/10.30687/978-88-6969-588-9/002

Copyright: © 2022 Andrea Nalesso. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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