Series | Quaderni di Venezia Arti
Edited book | Behind the Image, Beyond the Image
Chapter | L’iconografia del san Sebastiano a Bologna tra XV e XVI secolo
Abstract
The numerous plagues that overflown Bologna in the second half of the 15th century were the reason for the spread of saint Sebastian’s iconography in the city, which reached its climax in the last twenty years of the century. The possible political meanings of this iconography are also discussed. Towards the end of the century, we observe a softening of saint Sebastian’s figure, which is less burly in build than the examples painted around the mid-century. We focus on several cases, for which the reasons for the choice of this saint are investigated; they also provide the opportunity to reconsider the attribution of a selection of paintings.
Submitted: Oct. 15, 2021 | Published May 13, 2022 | Language: it
Keywords Epidemic • Bologna • Fifteenth century • Paintings • Saint Sebastian
Copyright © 2022 Alessandro Serrani. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/978-88-6969-588-9/010
Behind / Beyond Dimension
Behind / Beyond the Stage
Behind / Beyond Public Space
Behind / Beyond Politics
Behind / Beyond Madness
Behind / Beyond Meditation
Behind / Beyond Memory
Behind / Beyond the Idea
Behind / Beyond the Iron Curtain
DC Field | Value |
---|---|
dc.identifier |
ECF_chapter_7239 |
dc.contributor.author |
Serrani Alessandro |
dc.title |
L’iconografia del san Sebastiano a Bologna tra XV e XVI secolo |
dc.type |
Chapter |
dc.language.iso |
it |
dc.description.abstract |
The numerous plagues that overflown Bologna in the second half of the 15th century were the reason for the spread of saint Sebastian’s iconography in the city, which reached its climax in the last twenty years of the century. The possible political meanings of this iconography are also discussed. Towards the end of the century, we observe a softening of saint Sebastian’s figure, which is less burly in build than the examples painted around the mid-century. We focus on several cases, for which the reasons for the choice of this saint are investigated; they also provide the opportunity to reconsider the attribution of a selection of paintings. |
dc.relation.ispartof |
Quaderni di Venezia Arti |
dc.publisher |
Edizioni Ca’ Foscari - Venice University Press, Fondazione Università Ca’ Foscari |
dc.issued |
2022-05-13 |
dc.dateSubmitted |
2021-10-15 |
dc.identifier.uri |
http://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-589-6/liconografia-del-san-sebastiano-a-bologna-tra-xv-e/ |
dc.identifier.doi |
10.30687/978-88-6969-588-9/010 |
dc.identifier.eissn |
2784-8868 |
dc.identifier.isbn |
|
dc.identifier.eisbn |
978-88-6969-588-9 |
dc.rights |
Creative Commons Attribution 4.0 International Public License |
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
item.fulltext |
with fulltext |
item.grantfulltext |
open |
dc.peer-review |
no |
dc.subject |
Bologna |
dc.subject |
Epidemic |
dc.subject |
Fifteenth century |
dc.subject |
Paintings |
dc.subject |
Saint Sebastian |
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