Идентичность иранцев в архитектуре X-XII вв

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DC Field	Value
dc.identifier	ECF_chapter_3341
dc.contributor.author	Kholomeeva Anna
dc.title	Идентичность иранцев в архитектуре X-XII вв
dc.type	Chapter
dc.language.iso	ru
dc.description.abstract	The political environment in Khurasan with the arrival of the Samanid dynasty contributed to an increase in the national identity of Iranians on the one hand and mutual enrichment of cultures in the cosmopolitan climate on the other. The formation of style in the architecture is associated with the visual-spatial memory of Iranians themselves in a direction determined by Muslim religion. Hardly had the Iranian artists appealed to their traditional forms when they transformed them in according to the new Islamic discourse. The study also revealed that there is some evidence to suggest that Iranian art in the first centuries of Islam had its independent development course based on the flexibility of culture and awareness of its own identity.
dc.relation.ispartof	Quaderni di Venezia Arti
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing
dc.issued	2019-11-28
dc.dateSubmitted	2019-10-01
dc.identifier.uri	http://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-363-2/x-xii/
dc.identifier.doi	10.30687/978-88-6969-362-5/009
dc.identifier.eissn	2784-8868
dc.identifier.isbn	978-88-6969-363-2
dc.identifier.eisbn	978-88-6969-362-5
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	no
dc.subject	Identity of Iranians
dc.subject	Identity of Iranians
dc.subject	Iranian architecture
dc.subject	Iranian architecture
dc.subject	Narrative Identity
dc.subject	Narrative Identity
dc.subject	Seljuk architecture
dc.subject	Seljuk architecture
dc.subject	The Samanids
dc.subject	The Samanids

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Идентичность иранцев в архитектуре X-XII вв

Anna Kholomeeva State Institute of Art Studies, Russia

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abstract

The political environment in Khurasan with the arrival of the Samanid dynasty contributed to an increase in the national identity of Iranians on the one hand and mutual enrichment of cultures in the cosmopolitan climate on the other. The formation of style in the architecture is associated with the visual-spatial memory of Iranians themselves in a direction determined by Muslim religion. Hardly had the Iranian artists appealed to their traditional forms when they transformed them in according to the new Islamic discourse. The study also revealed that there is some evidence to suggest that Iranian art in the first centuries of Islam had its independent development course based on the flexibility of culture and awareness of its own identity.

Published

Nov. 28, 2019

Submitted

Oct. 1, 2019

Language

ISBN (PRINT)

978-88-6969-363-2

ISBN (EBOOK)

978-88-6969-362-5

Keywords: Iranian architecture • Seljuk architecture • Identity of Iranians • The Samanids • Narrative Identity

permalink: http://doi.org/10.30687/978-88-6969-362-5/009

Copyright: © 2019 Anna Kholomeeva. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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