A Possible Heritage

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DC Field	Value
dc.identifier	ECF_chapter_1218
dc.contributor.author	Zoni Achille
dc.title	A Possible Heritage. Street Performances as a Participative Cultural Heritage
dc.type	Chapter
dc.language.iso	en
dc.description.abstract	Street performances can be interpreted as process of participation to a form of CH. We would like to interpret the provisions of the Faro Convention from the perspective of street performances as a form of participatory cultural experience, as along with considering the street performers as an actual heritage community. Given that the Convention confers a remarkable importance to individuals – as they are part of the communities – we will focus on the passage from the cultural object itself – the street performance – to the actors and beneficiaries of the heritage which this object constitutes: the street performers and the audience at the moment of the show.
dc.relation.ispartof	Sapere l’Europa, sapere d’Europa
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing
dc.issued	2017-12-31
dc.dateAccepted	2017-03-21
dc.dateSubmitted	2016-12-21
dc.identifier.uri	http://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-225-3/a-possible-heritage/
dc.identifier.doi	10.14277/6969-052-5/SE-4-23
dc.identifier.issn	2611-0040
dc.identifier.eissn	2610-9247
dc.identifier.isbn	978-88-6969-225-3
dc.identifier.eisbn	978-88-6969-179-9
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	yes
dc.subject	Faro Convention
dc.subject	Faro Convention
dc.subject	Heritage community
dc.subject	Heritage community
dc.subject	Street performances
dc.subject	Street performances

Chapter
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A Possible Heritage

Street Performances as a Participative Cultural Heritage

Achille Zoni -

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abstract

Street performances can be interpreted as process of participation to a form of CH. We would like to interpret the provisions of the Faro Convention from the perspective of street performances as a form of participatory cultural experience, as along with considering the street performers as an actual heritage community. Given that the Convention confers a remarkable importance to individuals – as they are part of the communities – we will focus on the passage from the cultural object itself – the street performance – to the actors and beneficiaries of the heritage which this object constitutes: the street performers and the audience at the moment of the show.

Published

Dec. 31, 2017

Accepted

March 21, 2017

Submitted

Dec. 21, 2016

Language

ISBN (PRINT)

978-88-6969-225-3

ISBN (EBOOK)

978-88-6969-179-9

Keywords: Faro Convention • Street performances • Heritage community

permalink: http://doi.org/10.14277/6969-052-5/SE-4-23

Copyright: © 2017 Achille Zoni. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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