Series |
Eurasian Studies
Edited book | Crimea between Russia, Italy and the Ottoman Empire
Chapter | The Artistic Renaissance of the Crimea
The Artistic Renaissance of the Crimea
- Inessa Kouteinikova - Russian Museum of Ethnography, Sankt-Peterburg, Russia - email
Abstract
Experiencing Crimean landscape and architecture through representations were enticing for the nineteenth century Russian artists, writers and travellers. Works by Lev Lagorio, Ivan Aivazovsky, Fedor Vasiliev, the Chrnetzovs brothers and many more are paradigmatic examples of the visualization and appropriation of the distant landscapers, involving the eye of the Russian beholder, the practice of travel as a displacement from home, and the role of painting and photography as a souvenir authenticating experience. Most of these representations from early sketches to photography, reflect a cultural identity that is different from that of the places they describe and the consolidated a sense of Russia through the mirror of its ‘others’.
Submitted: April 10, 2017 | Accepted: May 18, 2017 | Published Dec. 12, 2017 | Language: it
Keywords Crimea • Paradise • Italian influences • Italian landscape • Russian landscape
Copyright © 2017 Inessa Kouteinikova. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.14277/6969-201-7/EUR-8-11
Introduction
-
La crimea nell’impero russo
Un mosaico di popoli e culture - Aldo Ferrari
- Dec. 12, 2017
Contents
-
Dalla Tauride alla Tavrida
Introduzione al mito della Crimea nella cultura russa - Aldo Ferrari
- Dec. 12, 2017
- Le lingue turciche della Crimea fra migrazioni e estinzione
- Matthias Kappler
- Dec. 12, 2017
- P. Gabriēl Ayvazean: l’editore e il traduttore
- Sona Haroutyunian
- Dec. 12, 2017
-
I caraiti nella Crimea imperiale russa
Rappresentazioni e costruzioni identitarie - Paolo Lucca
- Dec. 12, 2017
- Scorci veneziani sulla regione del Mar Nero (secoli XV-XIX)
- Giampiero Bellingeri
- Dec. 12, 2017
- Migrazioni italiane in Crimea e Nuova Russia: tracce, fonti, contesti
- Heloisa Rojas Gomez
- Dec. 12, 2017
- «Древнее житие» Владимира Святославича и сведения о взятии Корсуня: лингвистические заметки
- Alessandro Maria Bruni
- Dec. 12, 2017
-
La guerra di Crimea come fattore di modernizzazione
Il caso dell’Impero ottomano e dell’Impero russo - Giulia Lami
- Dec. 12, 2017
- Crimea, orienti e orientalismo nel racconto La confessione di un marito di K.N. Leont’ev
- Elena Pupulin
- Dec. 12, 2017
- Note sul tema: Osip Mandel’štam e la Crimea
- Daniela Rizzi
- Dec. 12, 2017
- The Artistic Renaissance of the Crimea
- Inessa Kouteinikova
- Dec. 12, 2017
Appendix
- Minimalia Crimeana
- M. Marcella Ferraccioli, Gianfranco Giraudo
- Dec. 12, 2017
| DC Field | Value |
|---|---|
|
dc.identifier |
ECF_chapter_1638 |
|
dc.contributor.author |
Kouteinikova Inessa |
|
dc.title |
The Artistic Renaissance of the Crimea |
|
dc.type |
Chapter |
|
dc.language.iso |
it |
|
dc.description.abstract |
Experiencing Crimean landscape and architecture through representations were enticing for the nineteenth century Russian artists, writers and travellers. Works by Lev Lagorio, Ivan Aivazovsky, Fedor Vasiliev, the Chrnetzovs brothers and many more are paradigmatic examples of the visualization and appropriation of the distant landscapers, involving the eye of the Russian beholder, the practice of travel as a displacement from home, and the role of painting and photography as a souvenir authenticating experience. Most of these representations from early sketches to photography, reflect a cultural identity that is different from that of the places they describe and the consolidated a sense of Russia through the mirror of its ‘others’. |
|
dc.relation.ispartof |
Eurasian Studies |
|
dc.publisher |
Edizioni Ca’ Foscari - Digital Publishing |
|
dc.issued |
2017-12-12 |
|
dc.dateAccepted |
2017-05-18 |
|
dc.dateSubmitted |
2017-04-10 |
|
dc.identifier.uri |
http://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-212-3/the-artistic-renaissance-of-the-crimea/ |
|
dc.identifier.doi |
10.14277/6969-201-7/EUR-8-11 |
|
dc.identifier.issn |
2610-8879 |
|
dc.identifier.eissn |
2610-9433 |
|
dc.identifier.isbn |
978-88-6969-212-3 |
|
dc.identifier.eisbn |
978-88-6969-201-7 |
|
dc.rights |
Creative Commons Attribution 4.0 International Public License |
|
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
|
item.fulltext |
with fulltext |
|
item.grantfulltext |
open |
|
dc.peer-review |
yes |
|
dc.subject |
Crimea |
|
dc.subject |
Crimea |
|
dc.subject |
Italian influences |
|
dc.subject |
Italian influences |
|
dc.subject |
Italian landscape |
|
dc.subject |
Italian landscape |
|
dc.subject |
Paradise |
|
dc.subject |
Paradise |
|
dc.subject |
Russian landscape |
|
dc.subject |
Russian landscape |
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