De Goldoni à Pirandello

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DC Field	Value
dc.identifier	ECF_chapter_1657
dc.contributor.author	Leonesi Barbara
dc.title	De Goldoni à Pirandello. La réception du théâtre italien en Chine
dc.type	Chapter
dc.language.iso	fr
dc.description.abstract	This paper analyses the reception of Italian drama-literature in China since the first big wave of literary translations that followed the May Fourth Movement until now. In particular, this paper focuses on two case-studies, Carlo Goldoni and Luigi Pirandello, which can be considered typical of two different trends: domestication versus foreignization. Through the analysis of the translated texts and the performances, this paper will try to dig out the reasons why, although the plays of both these Italian play-writers have been translated in Chinese since the ’20s and are included in all collections of world theatre classics published in China, they are seldom performed on Chinese stages nowadays.
dc.relation.ispartof	Translating Wor(l)ds
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing
dc.issued	2017-12-15
dc.dateAccepted	2017-10-31
dc.dateSubmitted	2017-10-30
dc.identifier.uri	http://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-209-3/de-goldoni-a-pirandello/
dc.identifier.doi	10.14277/6969-203-4/TW-1-8
dc.identifier.issn	2610-9131
dc.identifier.eissn	2610-914X
dc.identifier.isbn	978-88-6969-209-3
dc.identifier.eisbn	978-88-6969-203-1
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	yes
dc.subject	China
dc.subject	China
dc.subject	Drama
dc.subject	Drama
dc.subject	Goldoni
dc.subject	Goldoni
dc.subject	Pirandello
dc.subject	Pirandello
dc.subject	Translation
dc.subject	Translation

Chapter
open access peer reviewed

De Goldoni à Pirandello

La réception du théâtre italien en Chine

Barbara Leonesi

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abstract

This paper analyses the reception of Italian drama-literature in China since the first big wave of literary translations that followed the May Fourth Movement until now. In particular, this paper focuses on two case-studies, Carlo Goldoni and Luigi Pirandello, which can be considered typical of two different trends: domestication versus foreignization. Through the analysis of the translated texts and the performances, this paper will try to dig out the reasons why, although the plays of both these Italian play-writers have been translated in Chinese since the ’20s and are included in all collections of world theatre classics published in China, they are seldom performed on Chinese stages nowadays.

Published

Dec. 15, 2017

Accepted

Oct. 31, 2017

Submitted

Oct. 30, 2017

Language

ISBN (PRINT)

978-88-6969-209-3

ISBN (EBOOK)

978-88-6969-203-1

Keywords: China • Translation • Pirandello • Goldoni • Drama

permalink: http://doi.org/10.14277/6969-203-4/TW-1-8

Copyright: © 2017 Barbara Leonesi. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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