Edizioni Ca' Foscari

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Monographic journal issue
open access peer reviewed

The Body of Art

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Language: it, en

Published: Dec. 11, 2019

Keywords

Aesthetics and politics • Female • Neo-avant-garde • Biopolitic • Opera • Film • Casts • Dance notations • Avant-garde, Mask, Hybrid Identity, Abjection Embo • Puer mingens • Saint Sebastian • Revolutionary avant-garde • Cult • Iconography • Performance • Anna Moffo • Emilia, Veneto • 1960s radicalism • Galindo • Illusion • Prospero Clemente • Soprano • La Salpêtrière • Device • Symbolism • Theatre and performance • Body • Russian ballet • Abramović • Ornamentation • Pordenone • Printmaking • Body movements • Nijinsky • Theatre • Stage • Gothic • Plague • Vanessa Beecroft • Drawing • Franciscan saints • Fruition • Television • Performer • Costume • Iconology • Padua • Models • Nicoletto da Modena • Louvre • Performance Art • Skin • Marcantonio Magno • Agamben • Devotion • Avant-garde • Andrea Mantegna • Dance

permalink http://doi.org/10.30687/VA/2385-2720/2019/05

Copyright: © 2019 This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.