Journal |
Venezia Arti
Monographic journal issue | 28 | 2019
Keywords Skin • Devotion • Body • Female • Russian ballet • Avant-garde • Performer • Printmaking • Padua • Casts • Galindo • Fruition • Stage • Film • Performance • Marcantonio Magno • Franciscan saints • Prospero Clemente • Nicoletto da Modena • Agamben • Revolutionary avant-garde • Cult • Drawing • Vanessa Beecroft • 1960s radicalism • Television • Pordenone • Dance • Louvre • Puer mingens • Plague • Body movements • Abramović • Symbolism • Soprano • Biopolitic • Gothic • Iconology • Theatre • Dance notations • Avant-garde, Mask, Hybrid Identity, Abjection Embo • Nijinsky • Costume • Illusion • Aesthetics and politics • Anna Moffo • Models • Emilia, Veneto • La Salpêtrière • Saint Sebastian • Iconography • Andrea Mantegna • Opera • Device • Neo-avant-garde • Performance Art • Theatre and performance • Ornamentation
Permalink http://doi.org/10.30687/VA/2385-2720/2019/05 | Published Dec. 11, 2019 | Language it, en
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Middle Ages and Modern Age
Contemporary
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