La Crimea tra Russia, Italia e Impero ottomano

La Crimea tra Russia, Italia e Impero ottomano

Download free PDF

  pdf
Views 75
Downloads 2

Topic
chevron_rightLanguages and Cultures of the Middle and Far East

Language
it

ISBN (print)
978-88-6969-212-3

ISBN (ebook)
978-88-6969-201-7

ISSN
chevron_right2610-8879

e-ISSN
chevron_right2610-9433

Date of publication
12 Dec 2017

Share

Metadata

Eurasiatica

Note sul tema: Osip Mandel’štam e la Crimea

Daniela Rizzi
ORCID 0000-0002-4434-9250 
Università Ca' Foscari
darizzi@unive.it

DOI 10.14277/6969-201-7/EUR-8-10

Submitted 12 May 2017
Accepted 04 Jul 2017

Abstract

This article is devoted to the presence of Crimea in the works by Osip Mandel’shtam. Here Crimea is not considered as a theme, with or without reference to the author’s biography. The aim is to highlight the function of this region as a catalyst for an original conception of both space and time in Mandel’shtam’s art. The astonishing syncretism of space and time in the so-called ‘Hellenic-Crimean cycle’ of Tristia; the connection between time and poetic creation, which is one of the fundamental concepts in the article Slovo i kul’tura; the reflections on Russian language as a ‘Hellenic language’ as expressed in O prirode slova; ‘panchronism’ of historical and poetic phenomena, which is a key idea in Razgovor o Dante: these are all elements that are connected more or less directly to the image of Crimea and to the ‘cultural chronotope’ represented by it.

Keywords

Osip Mandel’shtam. Crimea in Russian Literature.


Creative Commons License This work is licensed under a Creative Commons Attribution 4.0 International License 

Table of contents
×
Campo DC Valore

dc.contributor.author

Rizzi Daniela

dc.title

Note sul tema: Osip Mandel’štam e la Crimea

dc.type

Book Chapter

dc.language.iso

it

dc.description.abstract

This article is devoted to the presence of Crimea in the works by Osip Mandel’shtam. Here Crimea is not considered as a theme, with or without reference to the author’s biography. The aim is to highlight the function of this region as a catalyst for an original conception of both space and time in Mandel’shtam’s art. The astonishing syncretism of space and time in the so-called ‘Hellenic-Crimean cycle’ of Tristia; the connection between time and poetic creation, which is one of the fundamental concepts in the article Slovo i kul’tura; the reflections on Russian language as a ‘Hellenic language’ as expressed in O prirode slova; ‘panchronism’ of historical and poetic phenomena, which is a key idea in Razgovor o Dante: these are all elements that are connected more or less directly to the image of Crimea and to the ‘cultural chronotope’ represented by it.

dc.relation.ispartof

Eurasiatica

dc.publisher

Edizioni Ca’ Foscari - Digital Publishing

dc.date.issued

2017-12-12

dc.dateAccepted

2017-05-12

dc.dateSubmitted

2017-07-04

dc.identifier.uri

http://doi.org/10.14277/6969-201-7/EUR-8-10

dc.identifier.issn

2610-8879

dc.identifier.eissn

2610-9433

dc.identifier.isbn

978-88-6969-212-3

dc.identifier.eisbn

978-88-6969-201-7

dc.rights

Creative Commons 4.0 Attribution alone

dc.rights.uri

http://creativecommons.org/licenses/by/4.0/

item.fulltext

with fulltext

item.grantfulltext

open

dc.subject

Osip Mandel’shtam

dc.subject

Crimea in Russian Literature

dc.subject

Download

×