Les artes moriendi, manuals per a una bona mort a…

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Campo DC	Valore
dc.identifier	ECF_article_14910
dc.title	Les artes moriendi, manuals per a una bona mort a l’occident europeu dels segles XV-XVI
dc.contributor.author	Peirats Anna
dc.publisher	Edizioni Ca’ Foscari - Venice University Press, Fondazione Università Ca’ Foscari
dc.type	Articolo
dc.language.iso	ca
dc.identifier.uri	http://edizionicafoscari.it/it/edizioni4/riviste/transcript/2023/2/les-artes-moriendi-manuals-per-a-una-bona-mort-a-l/
dc.description.abstract	The subject of death has been studied since ancient times, but not from the same perspective. This article studies the change of attitude occurred in 15th-16th centuries after the council of Constance, when death came to be understood less as a source of fear than as a necessary transit. After the judgment confronting the forces of good and evil, the salvation of the soul is debated in the room of the dying. Influenced by Jean Gerson’s work, editions and translations of artes moriendi were printed in various languages, sometimes including engravings to help contemplation: among them is the translation of Bernardí Vallmanya’s Cordial de l’ànima.
dc.relation.ispartof	TranScript
dc.relation.ispartof	Vol. 2 \| Num. 2 \| Ottobre 2023
dc.issued	2023-12-20
dc.dateAccepted	2023-10-18
dc.dateSubmitted	2023-08-22
dc.identifier.issn
dc.identifier.eissn	2785-5708
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
dc.identifier.doi	10.30687/TranScript/2785-5708/2023/04/005
dc.peer-review	yes
dc.subject	Ars moriendi
dc.subject	Death
dc.subject	Images
dc.subject	Last judgment
dc.subject	Private judgment

Articolo
open access peer reviewed

Les artes moriendi, manuals per a una bona mort a l’occident europeu dels segles XV-XVI

Anna Peirats Universidad Católica de Valencia San Vicente Mártir

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abstract

The subject of death has been studied since ancient times, but not from the same perspective. This article studies the change of attitude occurred in 15th-16th centuries after the council of Constance, when death came to be understood less as a source of fear than as a necessary transit. After the judgment confronting the forces of good and evil, the salvation of the soul is debated in the room of the dying. Influenced by Jean Gerson’s work, editions and translations of artes moriendi were printed in various languages, sometimes including engravings to help contemplation: among them is the translation of Bernardí Vallmanya’s Cordial de l’ànima.

Pubblicato

20 Dicembre 2023

Accettato

18 Ottobre 2023

Presentato

22 Agosto 2023

Lingua

Keywords: Death • Images • Private judgment • Last judgment • Ars moriendi

permalink http://doi.org/10.30687/TranScript/2785-5708/2023/04/005

Copyright: © 2023 Anna Peirats. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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