Anatomy Lessons: Michele Beevors as Eco-Political Agent

Campo DC	Valore
dc.identifier	ECF_article_18286
dc.title	Anatomy Lessons: Michele Beevors as Eco-Political Agent
dc.contributor.author	Schmidt Leoni
dc.publisher	Edizioni Ca’ Foscari - Venice University Press, Fondazione Università Ca’ Foscari
dc.type	Articolo
dc.language.iso	en
dc.identifier.uri	http://edizionicafoscari.it/it/edizioni4/riviste/the-venice-journal-of-environmental-humanities/2024/1/anatomy-lessons-michele-beevors-as-eco-political-a/
dc.description.abstract	This article responds to the large scale sculptural work by eco-political artist Michele Beevors, whose work has recently been extensively exhibited in New Zealand, Australia, and Austria. She brings her audience close to the tragedies of eco-extinction and the brutalities of human interaction with our vulnerable animal co-species. The article considers her work through four frames: 1. Violence: Dissection and Restitution; 2. Death: Specimen and Requiem; 3. Grief: Solastalgia and Entanglement; and 4. Labour: Materiality and Companionship. Through these four frames, the artist’s exploration of human relationships with non-human forms of life is highlighted as based in decolonial, feminist and activist values. The text includes memories and reflections from the author’s life where relevant to the themes presented by the artist.
dc.relation.ispartof	Lagoonscapes
dc.relation.ispartof	Vol. 4 \| Num. 1 \| Giugno 2024
dc.issued	2024-07-08
dc.dateAccepted	2024-06-10
dc.dateSubmitted	2024-04-22
dc.identifier.issn
dc.identifier.eissn	2785-2709
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
dc.identifier.doi	10.30687/LGSP/2785-2709/2024/01/009
dc.peer-review	yes
dc.subject	Animal Ethics
dc.subject	Care
dc.subject	Eco-political
dc.subject	Extinction
dc.subject	Sculpture
dc.subject	Solastalgia

Articolo
open access peer reviewed

Anatomy Lessons: Michele Beevors as Eco-Political Agent

Leoni Schmidt Otago Polytechnic/Te Pūkenga, New Zealand

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abstract

This article responds to the large scale sculptural work by eco-political artist Michele Beevors, whose work has recently been extensively exhibited in New Zealand, Australia, and Austria. She brings her audience close to the tragedies of eco-extinction and the brutalities of human interaction with our vulnerable animal co-species. The article considers her work through four frames: 1. Violence: Dissection and Restitution; 2. Death: Specimen and Requiem; 3. Grief: Solastalgia and Entanglement; and 4. Labour: Materiality and Companionship. Through these four frames, the artist’s exploration of human relationships with non-human forms of life is highlighted as based in decolonial, feminist and activist values. The text includes memories and reflections from the author’s life where relevant to the themes presented by the artist.

Pubblicato

08 Luglio 2024

Accettato

10 Giugno 2024

Presentato

22 Aprile 2024

Lingua

Keywords: Solastalgia • Animal Ethics • Care • Eco-political • Sculpture • Extinction

permalink http://doi.org/10.30687/LGSP/2785-2709/2024/01/009

Copyright: © 2024 Leoni Schmidt. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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