Rivista | Rassegna iberistica
Fascicolo | 43 | 113 | 2020
Articolo | The Anti-Diary
Abstract
To include a book in a certain genre implies that it conforms to previously determined discursive constants. The originality of the work of Teolinda Gersão resides precisely in its radical break with a genre of long-standing traditions and, at the same time, in its explicit reference to a necessarily codified universe. If we are able to overcome the feeling of strangeness conveyed by the lack of obligatory markers (such as the absence of years or months), the construction of a fragmented discourse, sinuous even, gains relevance, and we can detect undeniable indicators of femininity. Life writing that escapes the canon without however forgetting the flow and/or obsessions of a saying of the mind, Teolinda Gersão’s anti-diary is undoubtedly an example of a feminine trend marked by heterodoxy and transgression.
Presentato: 24 Marzo 2019 | Accettato: 20 Maggio 2020 | Pubblicato 19 Giugno 2020 | Lingua: en
Keywords Solitude • Anti-diary • Death • Fragment • Diary • Transgression • Ambiguity
Copyright © 2020 Maria de Fátima Marinho. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/Ri/2037-6588/2020/14/006
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Pubblicazioni ricevute
DC Field | Value |
---|---|
dc.identifier |
ECF_article_3141 |
dc.title |
The Anti-Diary. On Teolinda Gersão’s Os Guarda-Chuva Cintilantes |
dc.contributor.author |
Marinho Maria de Fátima |
dc.publisher |
Edizioni Ca’ Foscari - Digital Publishing, Fondazione Università Ca’ Foscari |
dc.type |
Articolo |
dc.language.iso |
en |
dc.identifier.uri |
http://edizionicafoscari.it/it/edizioni4/riviste/rassegna-iberistica/2020/113/the-anti-diary/ |
dc.description.abstract |
To include a book in a certain genre implies that it conforms to previously determined discursive constants. The originality of the work of Teolinda Gersão resides precisely in its radical break with a genre of long-standing traditions and, at the same time, in its explicit reference to a necessarily codified universe. If we are able to overcome the feeling of strangeness conveyed by the lack of obligatory markers (such as the absence of years or months), the construction of a fragmented discourse, sinuous even, gains relevance, and we can detect undeniable indicators of femininity. Life writing that escapes the canon without however forgetting the flow and/or obsessions of a saying of the mind, Teolinda Gersão’s anti-diary is undoubtedly an example of a feminine trend marked by heterodoxy and transgression. |
dc.relation.ispartof |
Rassegna iberistica |
dc.relation.ispartof |
Vol. 43 | Num. 113 | Giugno 2020 |
dc.issued |
2020-06-19 |
dc.dateAccepted |
2020-05-20 |
dc.dateSubmitted |
2019-03-24 |
dc.identifier.issn |
|
dc.identifier.eissn |
2037-6588 |
dc.rights |
Creative Commons Attribution 4.0 International Public License |
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
dc.identifier.doi |
10.30687/Ri/2037-6588/2020/14/006 |
dc.peer-review |
yes |
dc.subject |
Ambiguity |
dc.subject |
Ambiguity |
dc.subject |
Anti-diary |
dc.subject |
Anti-diary |
dc.subject |
Death |
dc.subject |
Death |
dc.subject |
Diary |
dc.subject |
Diary |
dc.subject |
Fragment |
dc.subject |
Fragment |
dc.subject |
Solitude |
dc.subject |
Solitude |
dc.subject |
Transgression |
dc.subject |
Transgression |
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