The Anti-Diary

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Campo DC	Valore
dc.identifier	ECF_article_3141
dc.title	The Anti-Diary. On Teolinda Gersão’s Os Guarda-Chuva Cintilantes
dc.contributor.author	Marinho Maria de Fátima
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing, Fondazione Università Ca’ Foscari
dc.type	Articolo
dc.language.iso	en
dc.identifier.uri	http://edizionicafoscari.it/it/edizioni4/riviste/rassegna-iberistica/2020/113/the-anti-diary/
dc.description.abstract	To include a book in a certain genre implies that it conforms to previously determined discursive constants. The originality of the work of Teolinda Gersão resides precisely in its radical break with a genre of long-standing traditions and, at the same time, in its explicit reference to a necessarily codified universe. If we are able to overcome the feeling of strangeness conveyed by the lack of obligatory markers (such as the absence of years or months), the construction of a fragmented discourse, sinuous even, gains relevance, and we can detect undeniable indicators of femininity. Life writing that escapes the canon without however forgetting the flow and/or obsessions of a saying of the mind, Teolinda Gersão’s anti-diary is undoubtedly an example of a feminine trend marked by heterodoxy and transgression.
dc.relation.ispartof	Rassegna iberistica
dc.relation.ispartof	Vol. 43 \| Num. 113 \| Giugno 2020
dc.issued	2020-06-19
dc.dateAccepted	2020-05-20
dc.dateSubmitted	2019-03-24
dc.identifier.issn
dc.identifier.eissn	2037-6588
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
dc.identifier.doi	10.30687/Ri/2037-6588/2020/113/006
dc.peer-review	yes
dc.subject	Ambiguity
dc.subject	Ambiguity
dc.subject	Anti-diary
dc.subject	Anti-diary
dc.subject	Death
dc.subject	Death
dc.subject	Diary
dc.subject	Diary
dc.subject	Fragment
dc.subject	Fragment
dc.subject	Solitude
dc.subject	Solitude
dc.subject	Transgression
dc.subject	Transgression

Articolo
open access peer reviewed

The Anti-Diary

On Teolinda Gersão’s Os Guarda-Chuva Cintilantes

Maria de Fátima Marinho Universidade do Porto, Portugal

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abstract

To include a book in a certain genre implies that it conforms to previously determined discursive constants. The originality of the work of Teolinda Gersão resides precisely in its radical break with a genre of long-standing traditions and, at the same time, in its explicit reference to a necessarily codified universe. If we are able to overcome the feeling of strangeness conveyed by the lack of obligatory markers (such as the absence of years or months), the construction of a fragmented discourse, sinuous even, gains relevance, and we can detect undeniable indicators of femininity. Life writing that escapes the canon without however forgetting the flow and/or obsessions of a saying of the mind, Teolinda Gersão’s anti-diary is undoubtedly an example of a feminine trend marked by heterodoxy and transgression.

Pubblicato

19 Giugno 2020

Accettato

20 Maggio 2020

Presentato

24 Marzo 2019

Lingua

Keywords: Transgression • Solitude • Ambiguity • Fragment • Anti-diary • Diary • Death

permalink http://doi.org/10.30687/Ri/2037-6588/2020/113/006

Copyright: © 2020 Maria de Fátima Marinho. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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