Rivista | magazén
Fascicolo | 5 | 1 | 2024
Articolo | Post Wow, is Less More? A Critical Approach to Animated Mapped Projection for Art Historical Knowledge Sharing
Abstract
This paper critically considers digital curatorial practices, increasingly used both in commercial and museum settings, involving the animated mapped projection of digitised works of art. It draws attention to the problematic and common misuse of the term ‘immersive’ to designate such practices and examines their effectiveness for art historical knowledge sharing and meaning making. Through first-hand observation of a number of such exhibits, the paper considers the lessons that can be learned from them and how they would specifically apply to a corpus of twentieth-century frescoes that make up the study object of a research project on art historical digital curatorship.
Presentato: 01 Aprile 2024 | Accettato: 25 Giugno 2024 | Pubblicato 16 Luglio 2024 | Lingua: en
Keywords Mapped projection • Animation • Immersivity • Digitised art curatorship • Stakeholder co-creation • Twentieth-century Murals
Copyright © 2024 Begoña Farré Torras, Leticia Crespillo Marí, Marta Soares. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/mag/2724-3923/2024/01/006