Le marronnage rhétorique d’Édouard Glissant ou l’abolition des frontières génériques…

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Campo DC	Valore
dc.identifier	ECF_article_6915
dc.title	Le marronnage rhétorique d’Édouard Glissant ou l’abolition des frontières génériques artistiques dans son œuvre romanesque
dc.contributor.author	Rhimi Mohamed Lamine
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing, Fondazione Università Ca’ Foscari
dc.type	Articolo
dc.language.iso	fr
dc.identifier.uri	http://edizionicafoscari.it/it/edizioni4/riviste/il-tolomeo/2021/1/le-marronnage-rhetorique-dedouard-glissant-ou-labo/
dc.description.abstract	The present article seeks to analyse Edouard Glissant’s intellectual marronage, which is closely linked to his rebellious rhetoric, by which the Martinican writer tries to use a patent suit to tackle imperialist systems, which cultivate monolithic and unidirectional western rhetoric. For this reason, he transcends generic boundaries by abolishing the artistic and cultural barriers. In this perspective, he needs to experience his new dynamics of trans-rhetorical, which is based on the implementation of the intermixing between oratorical genres (judicial impetus, epidictic eloquence and deliberative aim) in his novels. Correlatively, the West Indian novelist, ethnographer and philosopher makes use of his trans-generic aesthetics, which is coextensive with the trans-rhetorical, in order to incorporate not only historiography, ethnography, poetry and theatre in his romantic fiction, but also music, painting, sculpture and arts of photography and filmmaking. This is how he places his new geopoetics under the label of intermixing between different human imaginations.
dc.relation.ispartof	Il Tolomeo
dc.relation.ispartof	Vol. 23 \| Dicembre 2021
dc.issued	2021-12-20
dc.dateAccepted	2021-09-06
dc.dateSubmitted	2021-07-15
dc.identifier.issn
dc.identifier.eissn	2499-5975
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
dc.identifier.doi	10.30687/Tol/2499-5975/2021/23/024
dc.peer-review	yes
dc.subject	Edouard Glissant
dc.subject	Edouard Glissant
dc.subject	Intermixing between oratorical genres
dc.subject	Intermixing between oratorical genres
dc.subject	Rhetorical marronage
dc.subject	Rhetorical marronage
dc.subject	Romantic fiction
dc.subject	Romantic fiction
dc.subject	Trans-generic aesthetics
dc.subject	Trans-generic aesthetics

Articolo
open access peer reviewed

Le marronnage rhétorique d’Édouard Glissant ou l’abolition des frontières génériques artistiques dans son œuvre romanesque

Mohamed Lamine Rhimi University of Tunis, Tunisia

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abstract

The present article seeks to analyse Edouard Glissant’s intellectual marronage, which is closely linked to his rebellious rhetoric, by which the Martinican writer tries to use a patent suit to tackle imperialist systems, which cultivate monolithic and unidirectional western rhetoric. For this reason, he transcends generic boundaries by abolishing the artistic and cultural barriers. In this perspective, he needs to experience his new dynamics of trans-rhetorical, which is based on the implementation of the intermixing between oratorical genres (judicial impetus, epidictic eloquence and deliberative aim) in his novels. Correlatively, the West Indian novelist, ethnographer and philosopher makes use of his trans-generic aesthetics, which is coextensive with the trans-rhetorical, in order to incorporate not only historiography, ethnography, poetry and theatre in his romantic fiction, but also music, painting, sculpture and arts of photography and filmmaking. This is how he places his new geopoetics under the label of intermixing between different human imaginations.

Pubblicato

20 Dicembre 2021

Accettato

06 Settembre 2021

Presentato

15 Luglio 2021

Lingua

Keywords: Intermixing between oratorical genres • Romantic fiction • Trans-generic aesthetics • Edouard Glissant • Rhetorical marronage

permalink http://doi.org/10.30687/Tol/2499-5975/2021/23/024

Copyright: © 2021 Mohamed Lamine Rhimi. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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