Decolonizing the Anthropocene: ‘Slow Violence’ and Indigenous Resistance in Cherie Dimaline’s The Marrow Thieves
Abstract
Through a reading of Cherie Dimaline’s 2017 young adult novel The Marrow Thieves, a survival story set in a futuristic Canada destroyed by global warming, this article explores the conceptualization and reimagination of the Anthropocene in contemporary postcolonial and Indigenous theory and fiction. Firstly, I will argue that literary representations of climate change can be complicit in producing hegemonic strands of Anthropocene discourse that consider human destructiveness and vulnerability at undifferentiated species level. Secondly, I will suggest that the novel’s apocalypse reveals the processes of colonial violence and dispossession that have culminated in the eruptive event of environmental catastrophe, rather than portraying a story of universal and disembodied human threat that conceals oppression against Indigenous people.
Presentato: 15 Luglio 2020 | Accettato: 24 Agosto 2020 | Pubblicato 22 Dicembre 2020 | Lingua: en
Keywords Climate fiction • Slow violence • Indigenous knowledge • Cherie Dimaline • Apocalypse
Copyright © 2020 Chiara Xausa. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/Tol/2499-5975/2020/22/022