9 | 2022
open access | peer reviewedKeywords Decadence • Human-robot Interaction • Eighteenth-century Poetry • Education • Dalloway • A Portrait of the Artist as a Young Man • Anatole France • Sir Richard Blackmore • Failed Annunciation • Wilde • British Romanticism • Congress of Verona • Time • Christian Origin Story • Representation of Women • beauty • Pastoral Ideal • Cultural patriotism • Fiction • Death of God • Neoperceptionists • Ian McEwan • Byron • Sport • European Romanticism • “The Dead” • Natural Theology • Ulysses • Kawabata • Social Class • Artificial Intelligence • <div>Human-robot Interaction • Atavism • James Joyce • Recollection • Satire • Modernism • Newtonian Physics • Mrs • Memory • <div>Social Class • Creation • Anthropomorphism • Ignored Masses • aestheticism • Physico-theology • Blessed-virgin Women • Historical Criticism • Virginia Woolf • evil • House of the Sleeping Beauties • Conservative Consensus
Permalink http://doi.org/10.30687/EL/2420-823X/2022/01 | Pubblicato 13 Aprile 2023 | Lingua en
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