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Fascicolo
open access peer reviewed

Vol. 9 | Dicembre 2022

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Lingua: en

Pubblicato: 13 Aprile 2023

Keywords

Ian McEwan • Blessed-virgin Women • <div>Social Class • Failed Annunciation • Artificial Intelligence • Natural Theology • Sport • Neoperceptionists • Human-robot Interaction • Conservative Consensus • Death of God • Recollection • Creation • Byron • Anthropomorphism • Congress of Verona • Ulysses • “The Dead” • Dalloway • Kawabata • Social Class • Fiction • European Romanticism • Representation of Women • Wilde • Modernism • Satire • Eighteenth-century Poetry • Education • beauty • A Portrait of the Artist as a Young Man • Ignored Masses • Atavism • Memory • Pastoral Ideal • Cultural patriotism • aestheticism • Historical Criticism • Newtonian Physics • James Joyce • <div>Human-robot Interaction • British Romanticism • Christian Origin Story • evil • Virginia Woolf • Time • Anatole France • House of the Sleeping Beauties • Sir Richard Blackmore • Mrs • Decadence • Physico-theology

permalink http://doi.org/10.30687/EL/2420-823X/2022/01

Copyright: © 2022 This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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“Strange Sight this Congress!”. Byron’s The Age of Bronze (1823) and the Congress of Verona

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Anatole France, Oscar Wilde, and James Joyce

A Queer Genealogy of “The Dead”

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“Into the Exquisitely Obscure”: Aestheticism and Fragmentation in Oscar Wilde’s The Picture of Dorian Gray

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Empowering the Virgin. Rethinking the Agency of the Feminine Characters in James Joyce’s Works

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Clarissa's Party in the House of the Sleeping Beauties

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Edwardian Hegemony in Tressell and Sassoon

Paul Melia

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The Science of Fiction. Human-Robot Interaction in McEwan's Machines Like Me

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