Rivista | Archivio d’Annunzio
Fascicolo monografico | 9 | 2022
Articolo | Gli «oscuri turiboli» del simbolo. Penna e d’Annunzio
Abstract
In the interpretation of his trained readers Sandro Penna has been the object of a great misunderstanding. For a long time his relationship with the greatest poetical works of his time has been hidden; it happened the same with the authors he could read during a long training. The most recent studies about Penna’s intertextuality focused on citations, limiting themselves to compiling a register, without considering the long duration of international cultural processes to which Penna himself refers. The name of Gabriele d’Annunzio is that of a certain actor among these processes, dealing above all with the poetics of symbol.
Presentato: 24 Febbraio 2022 | Accettato: 04 Luglio 2022 | Pubblicato 28 Ottobre 2022 | Lingua: it
Keywords Music • Poetry • Symbol • Intertextuality • Modernism
Copyright © 2022 Roberto Deidier. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/AdA/2421-292X/2022/01/014
I. Officina dannunziana
1. Primo Novecento
2. Secondo Novecento
3. Testimonianze dei poeti d’oggi
II. Civiltà dannunziana
III. Recensioni
DC Field | Value |
---|---|
dc.identifier |
ECF_article_8329 |
dc.title |
Gli «oscuri turiboli» del simbolo. Penna e d’Annunzio |
dc.contributor.author |
Deidier Roberto |
dc.publisher |
Edizioni Ca’ Foscari - Venice University Press, Fondazione Università Ca’ Foscari |
dc.type |
Articolo |
dc.language.iso |
it |
dc.identifier.uri |
http://edizionicafoscari.it/it/edizioni4/riviste/archivio-dannunzio/2022/1/gli-oscuri-turiboli-del-simbolo-penna-e-dannunzio/ |
dc.description.abstract |
In the interpretation of his trained readers Sandro Penna has been the object of a great misunderstanding. For a long time his relationship with the greatest poetical works of his time has been hidden; it happened the same with the authors he could read during a long training. The most recent studies about Penna’s intertextuality focused on citations, limiting themselves to compiling a register, without considering the long duration of international cultural processes to which Penna himself refers. The name of Gabriele d’Annunzio is that of a certain actor among these processes, dealing above all with the poetics of symbol. |
dc.relation.ispartof |
Archivio d’Annunzio |
dc.relation.ispartof |
Vol. 9 | Ottobre 2022 |
dc.issued |
2022-10-28 |
dc.dateAccepted |
2022-07-04 |
dc.dateSubmitted |
2022-02-24 |
dc.identifier.issn |
|
dc.identifier.eissn |
2421-292X |
dc.rights |
Creative Commons Attribution 4.0 International Public License |
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
dc.identifier.doi |
10.30687/AdA/2421-292X/2022/01/014 |
dc.peer-review |
yes |
dc.subject |
Intertextuality |
dc.subject |
Modernism |
dc.subject |
Music |
dc.subject |
Poetry |
dc.subject |
Symbol |
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