Rivista |
Archivio d’Annunzio
Fascicolo | 7 | 2020
Articolo | «Buon dì, messer cantore!»: Isaotta, la bellezza e i modelli europei
Abstract
The essay proposes a suggestive reading of Isaotta Guttadauro (1886) by d’Annunzio from a new critical perspective. Evasion and fantasy are not a literary game for its own sake but they have a parodic and polemical intent towards a materialistic simplicity that had lost the aesthetic dimension of the experience. The main object is the attendance of Beauty and Literature to guarantee the evolution of the civilised man. It also explores the European models that had influenced d’Annunzio’s choice: Keats, Ruskin, Dante Gabriel Rossetti and the Pre-Raphaelite Brotherhood that had a lot of followers in Rome during the Umbertine Period (1878-1900).
Presentato: 19 Gennaio 2020 | Accettato: 05 Giugno 2020 | Pubblicato 22 Ottobre 2020 | Lingua: it
Keywords La favola di Isaotta • Dame e cavalieri • Isaotta Guttadauro • Pre-Raphaelism in Italy • l dolce grappolo
Copyright © 2020 Gianni Oliva. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/AdA/2421-292X/2020/01/001
Articoli
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Oliva, Gianni. ‘«Buon Dì, Messer Cantore!»: Isaotta, La Bellezza e i Modelli Europei’. Archivio d’An...
Oliva, Gianni. ‘«Buon Dì, Messer Cantore!»: Isaotta, La Bellezza e i Modelli Europei’. Archivio d’An...
DC Field | Value |
---|---|
dc.identifier |
ECF_article_3564 |
dc.title |
«Buon dì, messer cantore!»: Isaotta, la bellezza e i modelli europei |
dc.contributor.author |
Oliva Gianni |
dc.publisher |
Edizioni Ca’ Foscari - Digital Publishing, Fondazione Università Ca’ Foscari |
dc.type |
Articolo |
dc.language.iso |
it |
dc.identifier.uri |
http://edizionicafoscari.it/it/edizioni4/riviste/archivio-dannunzio/2020/1/buon-di-messer-cantore-isaotta-la-bellezza-e-i-mod/ |
dc.description.abstract |
The essay proposes a suggestive reading of Isaotta Guttadauro (1886) by d’Annunzio from a new critical perspective. Evasion and fantasy are not a literary game for its own sake but they have a parodic and polemical intent towards a materialistic simplicity that had lost the aesthetic dimension of the experience. The main object is the attendance of Beauty and Literature to guarantee the evolution of the civilised man. It also explores the European models that had influenced d’Annunzio’s choice: Keats, Ruskin, Dante Gabriel Rossetti and the Pre-Raphaelite Brotherhood that had a lot of followers in Rome during the Umbertine Period (1878-1900). |
dc.relation.ispartof |
Archivio d’Annunzio |
dc.relation.ispartof |
Vol. 7 | Ottobre 2020 |
dc.issued |
2020-10-22 |
dc.dateAccepted |
2020-06-05 |
dc.dateSubmitted |
2020-01-19 |
dc.identifier.issn |
|
dc.identifier.eissn |
2421-292X |
dc.rights |
Creative Commons Attribution 4.0 International Public License |
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
dc.identifier.doi |
10.30687/AdA/2421-292X/2020/01/001 |
dc.peer-review |
yes |
dc.subject |
Dame e cavalieri |
dc.subject |
Dame e cavalieri |
dc.subject |
Isaotta Guttadauro |
dc.subject |
Isaotta Guttadauro |
dc.subject |
La favola di Isaotta |
dc.subject |
La favola di Isaotta |
dc.subject |
Pre-Raphaelism in Italy |
dc.subject |
Pre-Raphaelism in Italy |
dc.subject |
l dolce grappolo |
dc.subject |
l dolce grappolo |
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