Rivista | Archivio d’Annunzio
Fascicolo | 2 | 2015
Articolo | Il romanzo veneziano e la tradizione musicale italiana
Abstract
If the Fuoco is usually interpreted as the Wagnerian novel par excellence, it does not have to be underestimated the support that d’Annunzio gives the Italian music, especially the tradition that comes from Palestrina to Benedetto Marcello and to the divine Claudio Monteverdi, whose name, linked to the Lamento di Arianna, generates a devotional respect among the guests of Foscarina’s house. The exploration of d'Annunzio's wide musical culture is not original but finds its sources in the Histoire de l'Opera en Europe by Romain Rolland, already reported by Guy Tosi and now investigated with original results.
Presentato: 04 Settembre 2015 | Accettato: 12 Maggio 2016 | Pubblicato 31 Ottobre 2015 | Lingua: it
Keywords Venice • Music • D’Annunzio Prose Writer
Copyright © 2015 Gianni Oliva. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.14277/2421-292X/AdA-2-15-1
Officina dannunziana. Venezia per d’Annunzio. Percorsi tra le arti, la storia, la scrittura
Recensioni
DC Field | Value |
---|---|
dc.identifier |
ECF_article_197 |
dc.title |
Il romanzo veneziano e la tradizione musicale italiana |
dc.contributor.author |
Oliva Gianni |
dc.publisher |
Edizioni Ca’ Foscari - Digital Publishing |
dc.type |
Articolo |
dc.language.iso |
it |
dc.identifier.uri |
http://edizionicafoscari.it/it/edizioni4/riviste/archivio-dannunzio/2015/1/il-romanzo-veneziano-e-la-tradizione-musicale-ital/ |
dc.description.abstract |
If the Fuoco is usually interpreted as the Wagnerian novel par excellence, it does not have to be underestimated the support that d’Annunzio gives the Italian music, especially the tradition that comes from Palestrina to Benedetto Marcello and to the divine Claudio Monteverdi, whose name, linked to the Lamento di Arianna, generates a devotional respect among the guests of Foscarina’s house. The exploration of d'Annunzio's wide musical culture is not original but finds its sources in the Histoire de l'Opera en Europe by Romain Rolland, already reported by Guy Tosi and now investigated with original results. |
dc.relation.ispartof |
Archivio d’Annunzio |
dc.relation.ispartof |
Vol. 2 | Ottobre 2015 |
dc.issued |
2015-10-31 |
dc.dateAccepted |
2016-05-12 |
dc.dateSubmitted |
2015-09-04 |
dc.identifier.issn |
|
dc.identifier.eissn |
2421-292X |
dc.rights |
Creative Commons Attribution 4.0 International Public License |
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
dc.identifier.doi |
10.14277/2421-292X/AdA-2-15-1 |
dc.peer-review |
yes |
dc.subject |
D’Annunzio Prose Writer |
dc.subject |
D’Annunzio Prose Writer |
dc.subject |
Music |
dc.subject |
Music |
dc.subject |
Venice |
dc.subject |
Venice |
Download data |
Edizioni Ca’ Foscari
Dorsoduro 3246
30123 Venezia
ecf@unive.it
T +39 041 234 8250
Evologi srl
P.IVA 04616450260
Se trovi interessanti le nostre pubblicazioni e vuoi ricevere aggiornamenti sulle prossime uscite, iscriviti ora alla nostra newsletter.
x