Collana |
Quaderni di Venezia Arti
Recensione | Unveiling the Void: Erasure, Latency, Potentiality
Capitolo | “Meditations on the Sense of Erasures”: Berlin as a Mnemotope in the Architectural Projects of Oswald Mathias Ungers and John Hejduk
“Meditations on the Sense of Erasures”: Berlin as a Mnemotope in the Architectural Projects of Oswald Mathias Ungers and John Hejduk
- Taisiya Zakharova - M.V. Lomonosov Moscow State University, Russia - email
Abstract
A mnemotope can be described as a territory or location that exists simultaneously in the physical world and in the realm of collective memory. A mnemotope, according to our hypothesis, can be used as a theoretical construct to study the influence of collective and personal memory, inextricably linked to a particular space, on architectural projects created for its territory. Using as examples two architectural projects created for the city of Berlin, in this article we argue that within the space of a mnemotope architecture can interact with, and be highly influenced by, urban areas of prior destruction.
Presentato: 15 Ottobre 2025 | Pubblicato 15 Dicembre 2025 | Lingua: en
Keywords Mnemotope • Oswald Mathias Ungers • Collective memory • Berlin • Berlin as a Green Archipelago • John Hejduk
Copyright © 2025 Taisiya Zakharova. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
- Introductory Remarks
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When Body Disappears
-
Representations of the Potentiated Void
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- Clothes Art and the Absent Body’s Communicative Potential
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- The Shell of an In-Essential Void: The Disappearance of the Body and Its Traces in Alina Szapocznikow’s Photosculptures
- Mattia Cucurullo
- 15 Dicembre 2025
Material Surfaces: Erasures and Potentialities
- Horror vacui in Early Modern Ceramics. Overall Approach to Covering Surfaces
- Ariane Milicev
- 15 Dicembre 2025
- Erasing Language: An Analysis on Vincenzo Agnetti’s Axioms
- Gaia Cerrelli
- 15 Dicembre 2025
Experiencing the Void: On Other Spaces
- Maria Rebecca Ballestra: Absence Between Nature and Human Being in Echoes of the Void
- Bianca Romano
- 15 Dicembre 2025
Absence Through Objects and Architectural Spaces
- “Meditations on the Sense of Erasures”: Berlin as a Mnemotope in the Architectural Projects of Oswald Mathias Ungers and John Hejduk
- Taisiya Zakharova
- 15 Dicembre 2025
- Elio Petri, L’assassino (1961): The Nemi Museum and the Ghost of the Ships
- Ilaria Grippa
- 15 Dicembre 2025
Void and Residual Traces
- Imperceptibility as Feminist Epistemology in the Work of Eva Hesse, Ana Mendieta and Francesca Woodman
- Lee Sze Man Sarotta
- 15 Dicembre 2025
- Reading the Void: Nil Yalter’s Semiotics of the Body
- Asia Benedetti
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Afterword
- Voidness and Artistic Creation: Between Aesthetics and Ethics
- Marcello Ghilardi
- 15 Dicembre 2025
| DC Field | Value |
|---|---|
|
dc.identifier |
ECF_chapter_25874 |
|
dc.contributor.author |
Zakharova Taisiya |
|
dc.title |
“Meditations on the Sense of Erasures”: Berlin as a Mnemotope in the Architectural Projects of Oswald Mathias Ungers and John Hejduk |
|
dc.type |
Capitolo |
|
dc.language.iso |
en |
|
dc.description.abstract |
A mnemotope can be described as a territory or location that exists simultaneously in the physical world and in the realm of collective memory. A mnemotope, according to our hypothesis, can be used as a theoretical construct to study the influence of collective and personal memory, inextricably linked to a particular space, on architectural projects created for its territory. Using as examples two architectural projects created for the city of Berlin, in this article we argue that within the space of a mnemotope architecture can interact with, and be highly influenced by, urban areas of prior destruction. |
|
dc.relation.ispartof |
Quaderni di Venezia Arti |
|
dc.publisher |
Edizioni Ca’ Foscari - Venice University Press, Fondazione Università Ca’ Foscari |
|
dc.issued |
2025-12-15 |
|
dc.dateSubmitted |
2025-10-15 |
|
dc.identifier.uri |
http://edizionicafoscari.it/it/edizioni4/libri/979-12-5742-001-7/meditations-on-the-sense-of-erasures-berlin-as-a-m/ |
|
dc.identifier.doi |
10.30687/979-12-5742-001-7/007 |
|
dc.identifier.eissn |
2784-8868 |
|
dc.identifier.isbn |
|
|
dc.identifier.eisbn |
979-12-5742-001-7 |
|
dc.rights |
Creative Commons Attribution 4.0 International Public License |
|
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
|
item.fulltext |
with fulltext |
|
item.grantfulltext |
open |
|
dc.peer-review |
no |
|
dc.subject |
Berlin |
|
dc.subject |
Berlin as a Green Archipelago |
|
dc.subject |
Collective memory |
|
dc.subject |
John Hejduk |
|
dc.subject |
Mnemotope |
|
dc.subject |
Oswald Mathias Ungers |
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