Archivio d’Annunzio
1 | 2014

Archivio d’Annunzio
1 | 2014

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Vol. 1 | Num. 1 | Ottobre 2014

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Archivio d’Annunzio | 1 | 2014

«Il dilettante di sensazioni»
La cromonimia dannunziana: dalle Novelle della Pescara al Notturno

Stefania Penasa
stefania.penasa@alice.it

DOI 10.14277/2421-292X/4p

Abstract

Within the constant linguistic research performed by Gabriele d’Annunzio, the chromatic lexicon plays a fundamental role. In his prose work, d’Annunzio developed a lexicon which aimed at attaining the maximum precision and at the same time remained constantly refined and solemn. In this regard, chromaticism is considered the stylistic device to meet these requirements. D’Annunzio made use of all the lexical strategies offered to him by the Italian language, proposing a particularly large body, rich in derivatives, compounds and, especially, referential terms. He selected the words less frequently used, made up new etymologies and sought out constantly new meanings. Furthermore, the semantic field of colour allows to thoroughly investigate d’Annunzio’s role in the literary language of the 20th century and, consequently, to realize how deeply indebted the Italian advertising system of the early 20th century was to him.



Creative Commons License This work is licensed under a Creative Commons Attribution 4.0 International License 

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Campo DC Valore

dc.contributor.author

Penasa Stefania

dc.title

«Il dilettante di sensazioni»

dc.type

Journal Article

dc.language.iso

it

dc.identifier.uri

http://doi.org/10.14277/2421-292X/4p

dc.description.abstract

Within the constant linguistic research performed by Gabriele d’Annunzio, the chromatic lexicon plays a fundamental role. In his prose work, d’Annunzio developed a lexicon which aimed at attaining the maximum precision and at the same time remained constantly refined and solemn. In this regard, chromaticism is considered the stylistic device to meet these requirements. D’Annunzio made use of all the lexical strategies offered to him by the Italian language, proposing a particularly large body, rich in derivatives, compounds and, especially, referential terms. He selected the words less frequently used, made up new etymologies and sought out constantly new meanings. Furthermore, the semantic field of colour allows to thoroughly investigate d’Annunzio’s role in the literary language of the 20th century and, consequently, to realize how deeply indebted the Italian advertising system of the early 20th century was to him.

dc.relation.ispartof

Archivio d’Annunzio

dc.relation.ispartof

Vol. 1 | Num. 1 | Ottobre 2014

dc.publisher

Edizioni Ca’ Foscari - Digital Publishing

dc.date.issued

None

dc.dateAccepted

None

dc.dateSubmitted

None

dc.identifier.issn

2421-4213

dc.identifier.eissn

2421-292X

dc.rights

Creative Commons 4.0 Attribution alone

dc.rights.uri

http://creativecommons.org/licenses/by/4.0/

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1 | 2014

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