The Future Contemporary

Inquiries into Visual, Performing, and Media Arts

Remediating Opera

Crossing and Encounters Between Film and Music Studies

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open access | peer reviewed

Abstract

This volume explores the intersection of moving images and music, analysing the fascinating remediation mechanisms between these two artistic languages. In particular, it embraces the approach to temporality featuring The Future Contemporary book series by offering a journey across different periods and artistic productions. The aim is to highlight the creative possibilities that emerge from the observation of recurring elements in cinema and music over time. Moving from cutting-edge archival research focused mainly on Italian cinema and opera, the articles gathered in this volume address various levels of remediation occurring across media, genres, and semantics. Together, they propose a novel perspective on the often-overlooked connections between these two fields of cultural and artistic production. Pairing texts from musicology and film studies, the rich reflection resulting from this book offers an innovative critical toolkit that looks back at historical opera and film productions to gain access to the roots of contemporary musical and cinematic representations.

Keywords COVID-19 and performing arts • David Raksin • Opera and cinema convergence • Italian Cinema • Charlie Chaplin • Labour • Trace • Vocalities • Cultural Heritage • Film music • Mario Martone • Il Marchese del Grillo • Visconti • Intertextuality • Italian cinema • Performance • Italian political cinema • Bertolucci • Stardom • Derrida • Biopic • Bernardo Bertolucci • Gender Identities • Remediation • Maria Malibran • Opera in film • The Spiders’ Stratagem • Levi • Dialogism • Script • Opera Film • Opera • Intermediality • Opera in cinema • Media archaeology of opera • Singer • Metagenre • Musical salon

Thema codes ATFA • AVLF • 1DST

Permalink http://doi.org/10.30687/978-88-6969-911-5 | e-ISBN 978-88-6969-911-5 | Pubblicato 22 Ottobre 2025 | Lingua en