Moving Spaces
Enacting Dance, Performance, and the Digital in the Museum
open access | peer reviewed-
a cura di
- Susanne Franco - Università Ca’ Foscari Venezia, Italia - email
- Gabriella Giannachi - University of Exeter, UK - email
Abstract
This collection of essays investigates some of the theories and concepts related to the burgeoning presence of dance and performance in the museum. This surge has led to significant revisions of the roles and functions that museums currently play in society. The authors provide key analyses on why and how museums are changing by looking into participatory practices and decolonisation processes, the shifting relationship with the visitor/spectator, the introduction of digital practices in collection making and museum curation, and the creation of increasingly complex documentation practices. The tasks designed by artists who are involved in the European project Dancing Museums. The Democracy of Beings (2018-21) respond to the essays by suggesting a series of body-mind practices that readers could perform between the various chapters to experience how theory may affect their bodies.
Keywords Augmented and mixed reality • Difficult heritage • Danish colonialism • Activation • Virtual • Decoloniality • Digital • Performance • The public • Venice • Activism • Jeannaette Ehlers • Museum • African-heritage dance • Museumised space • Choreography • Dance in the museum • Dance and performance in the museum • Black dance • Black Commons • Participatory Art • New media art • Marseille • Colonial legacies • Documentation • Address • Community • Value • Creolisation • Re-enactment • Afrofuturism • Afropessimism • Conservation • Aesthetic subjectivity • Deep space • Archive • Situation • Presence
Permalink http://doi.org/10.30687/978-88-6969-534-6 | e-ISBN 978-88-6969-534-6 | ISBN (PRINT) 978-88-6969-535-3 | Numero pagine 156 | Dimensioni 17x25.5cm | Pubblicato 16 Settembre 2021 | Lingua en
Copyright © 2021 Susanne Franco, Gabriella Giannachi. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
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Introduction
Moving Spaces, Rewriting Museology Through Practice - 16 Settembre 2021
- Task by Eleanor Sikorski
- 16 Settembre 2021
- Addressing the Situation. Xavier le Roy’s Retrospective and Aesthetic Subjectivity
- 16 Settembre 2021
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Task by Ana Pi
A Still and Warm Dance to a Space - 16 Settembre 2021
- Task by Quim Bigas
- 16 Settembre 2021
- Task by Monica Gillette
- 16 Settembre 2021
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“Animated Words, Will Accompany My Gestures”
Seismographic Choreographies of Difficult Heritage in Museums - 16 Settembre 2021
- Task by Ingrid Bergen Myhre
- 16 Settembre 2021
- Dancing the Museum Black: Activist Animations of the Social
- 16 Settembre 2021
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Task by Ariadne Mikou
A Casual Meditation for Anywhere and Anytime - 16 Settembre 2021
- Into the Space of the Digital Museum
- 16 Settembre 2021
- Task by Masako Matsushita
- 16 Settembre 2021