Metamorphosis
open access | peer reviewedKeywords Armour • New Renaissance • Transnational Art • Monster • Zoomorphism • Snake • Neoacademism • Liturgical furnishings • Arp • Guggenheim Museum • Videoart • Parody • Arte povera • Jacopo Foscarini • Annibal Caro • Animality • Zadar • Waterplays • Global Art • Sacred space • Viani • Trauma • Contemporary Art • Claudio Tolomei • Biomorphic Abstraction • Fountains • Picasso • Ecfrasis • Modernism • Rooster • Metamorphosis • War • Arch • Made in Italy • Basilisk • Forties • Germano Celant • Humanist imagery • Remediation • Renaissance hydraulic engineering • South Asian Art • Saint marina • Masson • Tombs • Battle of Lepanto • Ornament • Body • Digital Collage • Birolli • Medieval churches • Facial Mutilations • Venice • Olga Tobreluts • Romanitas • Venetian self-representation • Grotesque • Pakistani Art • Medieval oriental cults • The Italian Metamorphosis 1943-1968 • Postwar Print Art
Permalink http://doi.org/10.30687/VA/2385-2720/2023/01 | Published Dec. 20, 2023 | Language en, it, EN
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