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Monographic journal issue
open access peer reviewed

Metamorphosis

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Language: EN, it, en

Published: Dec. 20, 2023

Keywords

South Asian Art • Global Art • Tombs • Animality • Masson • Basilisk • Grotesque • The Italian Metamorphosis 1943-1968 • Venetian self-representation • Liturgical furnishings • Neoacademism • Humanist imagery • Videoart • Olga Tobreluts • Claudio Tolomei • Body • New Renaissance • Rooster • Digital Collage • Zadar • Sacred space • Monster • Annibal Caro • War • Parody • Viani • Transnational Art • Waterplays • Saint marina • Fountains • Contemporary Art • Facial Mutilations • Arte povera • Metamorphosis • Birolli • Forties • Made in Italy • Medieval churches • Medieval oriental cults • Arch • Postwar Print Art • Renaissance hydraulic engineering • Venice • Zoomorphism • Snake • Romanitas • Battle of Lepanto • Ecfrasis • Pakistani Art • Guggenheim Museum • Arp • Modernism • Remediation • Trauma • Biomorphic Abstraction • Armour • Jacopo Foscarini • Germano Celant • Picasso • Ornament

permalink http://doi.org/10.30687/VA/2385-2720/2023/01

Copyright: © 2023 This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.