Journal |
Venezia Arti
Monographic journal issue | 32 | 2023
Metamorphosis
open access | peer reviewedKeywords Trauma • Global Art • Olga Tobreluts • Fountains • Forties • Snake • Biomorphic Abstraction • Waterplays • Body • Ecfrasis • Zadar • Monster • Tombs • War • Viani • Medieval oriental cults • Guggenheim Museum • Sacred space • Transnational Art • Facial Mutilations • Jacopo Foscarini • Videoart • New Renaissance • Neoacademism • Rooster • Romanitas • Humanist imagery • Liturgical furnishings • Birolli • Picasso • Contemporary Art • Zoomorphism • Parody • Grotesque • Remediation • Digital Collage • Germano Celant • Claudio Tolomei • South Asian Art • Animality • Masson • Pakistani Art • Venetian self-representation • Annibal Caro • Arte povera • Armour • The Italian Metamorphosis 1943-1968 • Made in Italy • Postwar Print Art • Metamorphosis • Modernism • Basilisk • Saint marina • Ornament • Venice • Medieval churches • Battle of Lepanto • Arp • Renaissance hydraulic engineering • Arch
Permalink http://doi.org/10.30687/VA/2385-2720/2023/01 | Published Dec. 20, 2023 | Language EN, en, it
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Medioevo ed Età Moderna
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The Beast Within, the Beast Without
Zoomorphic Armour Ornament and the Human-Animal Divide in the Material Culture of Renaissance War - Dec. 20, 2023
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From Triton Neptvni Tubicen to the Glory of Lepanto
The Early Modern Rebirth(s) of a Roman Arch in Zadar - Dec. 20, 2023
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Percorsi metamorfici della natura nel Cinquecento
L’acqua e le fontane nell’ecfrasi di Annibal Caro e Claudio Tolomei - Dec. 20, 2023
Contemporaneo
- The Visual Afterlife of les gueules cassées: Artistic Reception from the Interbellum to documenta 13
- Dec. 20, 2023
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«Nudi trasfigurati da una strana metamorfosi»
La scultura di Alberto Viani intorno alla metà degli anni Quaranta - Dec. 20, 2023
