Metamorphosis
open access | peer reviewedKeywords Ecfrasis • Guggenheim Museum • New Renaissance • Saint marina • War • Viani • Picasso • Rooster • Arch • Zoomorphism • Transnational Art • Battle of Lepanto • Romanitas • Global Art • Zadar • Biomorphic Abstraction • Digital Collage • Basilisk • Liturgical furnishings • Renaissance hydraulic engineering • Masson • Medieval churches • Modernism • Animality • South Asian Art • Claudio Tolomei • Facial Mutilations • Body • Jacopo Foscarini • Neoacademism • Pakistani Art • Snake • Tombs • Grotesque • Fountains • Ornament • Parody • Waterplays • Contemporary Art • Monster • Annibal Caro • Humanist imagery • Armour • Remediation • Sacred space • Arte povera • Medieval oriental cults • Made in Italy • The Italian Metamorphosis 1943-1968 • Metamorphosis • Trauma • Venetian self-representation • Birolli • Forties • Arp • Venice • Videoart • Olga Tobreluts • Postwar Print Art • Germano Celant
Permalink http://doi.org/10.30687/VA/2385-2720/2023/01 | Published Dec. 20, 2023 | Language it, en, EN
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