Journal |
Venezia Arti
Monographic journal issue | 32 | 2023
Metamorphosis
open access | peer reviewedKeywords Masson • Fountains • Modernism • Zoomorphism • Contemporary Art • Waterplays • Monster • Romanitas • Global Art • Arch • Arte povera • Germano Celant • Neoacademism • Renaissance hydraulic engineering • Animality • Birolli • Basilisk • Trauma • Forties • Ecfrasis • Grotesque • Remediation • Transnational Art • Videoart • Made in Italy • Venetian self-representation • Guggenheim Museum • Rooster • Sacred space • War • Armour • Picasso • New Renaissance • Medieval churches • Annibal Caro • Snake • Parody • The Italian Metamorphosis 1943-1968 • Viani • Arp • Digital Collage • Pakistani Art • Claudio Tolomei • Ornament • Jacopo Foscarini • Body • Tombs • South Asian Art • Battle of Lepanto • Biomorphic Abstraction • Humanist imagery • Liturgical furnishings • Postwar Print Art • Metamorphosis • Zadar • Olga Tobreluts • Facial Mutilations • Venice • Medieval oriental cults • Saint marina
Permalink http://doi.org/10.30687/VA/2385-2720/2023/01 | Published Dec. 20, 2023 | Language EN, it, en
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Medioevo ed Età Moderna
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The Beast Within, the Beast Without
Zoomorphic Armour Ornament and the Human-Animal Divide in the Material Culture of Renaissance War - Dec. 20, 2023
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From Triton Neptvni Tubicen to the Glory of Lepanto
The Early Modern Rebirth(s) of a Roman Arch in Zadar - Dec. 20, 2023
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Percorsi metamorfici della natura nel Cinquecento
L’acqua e le fontane nell’ecfrasi di Annibal Caro e Claudio Tolomei - Dec. 20, 2023
Contemporaneo
- The Visual Afterlife of les gueules cassées: Artistic Reception from the Interbellum to documenta 13
- Dec. 20, 2023
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«Nudi trasfigurati da una strana metamorfosi»
La scultura di Alberto Viani intorno alla metà degli anni Quaranta - Dec. 20, 2023
