Journal |
Venezia Arti
Monographic journal issue | 28 | 2019
Keywords Padua • Franciscan saints • Device • Fruition • Television • Performance • Theatre • Abramović • Louvre • Casts • Costume • La Salpêtrière • Nijinsky • Pordenone • Avant-garde • Plague • 1960s radicalism • Illusion • Cult • Soprano • Performer • Russian ballet • Galindo • Saint Sebastian • Anna Moffo • Iconography • Agamben • Iconology • Body movements • Skin • Ornamentation • Puer mingens • Performance Art • Avant-garde, Mask, Hybrid Identity, Abjection Embo • Marcantonio Magno • Symbolism • Aesthetics and politics • Stage • Devotion • Drawing • Gothic • Opera • Prospero Clemente • Vanessa Beecroft • Film • Dance notations • Body • Female • Nicoletto da Modena • Andrea Mantegna • Dance • Printmaking • Revolutionary avant-garde • Theatre and performance • Biopolitic • Models • Emilia, Veneto • Neo-avant-garde
Permalink http://doi.org/10.30687/VA/2385-2720/2019/05 | Published Dec. 11, 2019 | Language it, en
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Middle Ages and Modern Age
Contemporary
Alia itinera