Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

The Body of Art

open access | peer reviewed

Keywords Plague • Costume • Louvre • Andrea Mantegna • Anna Moffo • Printmaking • Television • Skin • Russian ballet • Abramović • Galindo • Casts • Performance Art • Neo-avant-garde • Iconology • Dance • Gothic • Performance • Agamben • Body movements • La Salpêtrière • Franciscan saints • Drawing • Vanessa Beecroft • Theatre and performance • Models • Theatre • Marcantonio Magno • Prospero Clemente • Soprano • Symbolism • Biopolitic • Pordenone • Ornamentation • Film • Revolutionary avant-garde • Avant-garde, Mask, Hybrid Identity, Abjection Embo • Fruition • Avant-garde • Cult • Dance notations • Saint Sebastian • Emilia, Veneto • Nicoletto da Modena • Iconography • Performer • Opera • 1960s radicalism • Body • Stage • Female • Illusion • Padua • Aesthetics and politics • Nijinsky • Puer mingens • Device • Devotion

Permalink http://doi.org/10.30687/VA/2385-2720/2019/05 | Published Dec. 11, 2019 | Language en, it

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