Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

The Body of Art

open access | peer reviewed

Keywords Female • Device • Devotion • Nijinsky • Ornamentation • Cult • Fruition • Puer mingens • Nicoletto da Modena • Performance • 1960s radicalism • Illusion • Galindo • Iconography • La Salpêtrière • Models • Russian ballet • Skin • Vanessa Beecroft • Avant-garde, Mask, Hybrid Identity, Abjection Embo • Neo-avant-garde • Symbolism • Marcantonio Magno • Andrea Mantegna • Avant-garde • Prospero Clemente • Revolutionary avant-garde • Printmaking • Aesthetics and politics • Opera • Television • Dance • Padua • Body movements • Costume • Theatre • Drawing • Dance notations • Film • Casts • Gothic • Pordenone • Theatre and performance • Biopolitic • Body • Soprano • Performer • Emilia, Veneto • Louvre • Agamben • Plague • Performance Art • Stage • Anna Moffo • Abramović • Franciscan saints • Saint Sebastian • Iconology

Permalink http://doi.org/10.30687/VA/2385-2720/2019/05 | Published Dec. 11, 2019 | Language it, en

Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.