Edizioni Ca' Foscari

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Monographic journal issue
open access peer reviewed

The Body of Art

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Language: it, en

Published: Dec. 11, 2019

Keywords

Illusion • Anna Moffo • La Salpêtrière • Ornamentation • Avant-garde, Mask, Hybrid Identity, Abjection Embo • Casts • Biopolitic • Dance • Iconology • Louvre • Vanessa Beecroft • Avant-garde • Marcantonio Magno • Drawing • Dance notations • Emilia, Veneto • Female • Stage • Performer • Prospero Clemente • Theatre and performance • Puer mingens • Printmaking • Television • Andrea Mantegna • Device • Neo-avant-garde • Performance • Symbolism • Fruition • Skin • Abramović • Body movements • Russian ballet • Aesthetics and politics • Agamben • Saint Sebastian • Nijinsky • Performance Art • Film • Body • Models • Revolutionary avant-garde • Iconography • Gothic • Plague • Galindo • 1960s radicalism • Pordenone • Costume • Opera • Devotion • Franciscan saints • Soprano • Cult • Theatre • Nicoletto da Modena • Padua

permalink http://doi.org/10.30687/VA/2385-2720/2019/05

Copyright: © 2019 This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.