Journal |
Venezia Arti
Monographic journal issue | 28 | 2019
Keywords Female • Gothic • Abramović • Emilia, Veneto • Saint Sebastian • Puer mingens • Vanessa Beecroft • Symbolism • 1960s radicalism • Body movements • Avant-garde, Mask, Hybrid Identity, Abjection Embo • Device • Fruition • Nijinsky • Iconology • Costume • Dance notations • Ornamentation • Performer • Iconography • Biopolitic • Padua • Neo-avant-garde • Performance Art • Andrea Mantegna • Franciscan saints • Dance • Plague • Casts • Performance • Theatre • La Salpêtrière • Agamben • Prospero Clemente • Soprano • Russian ballet • Illusion • Aesthetics and politics • Louvre • Body • Film • Devotion • Galindo • Opera • Revolutionary avant-garde • Stage • Models • Theatre and performance • Nicoletto da Modena • Printmaking • Pordenone • Skin • Television • Anna Moffo • Marcantonio Magno • Drawing • Avant-garde • Cult
Permalink http://doi.org/10.30687/VA/2385-2720/2019/05 | Published Dec. 11, 2019 | Language it, en
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