Venezia Arti Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

Journal | Venezia Arti
Monographic journal issue | 28 | 2019

The Body of Art

open access | peer reviewed

Keywords Models • Costume • Film • Emilia, Veneto • Printmaking • Vanessa Beecroft • Drawing • Illusion • Opera • Nicoletto da Modena • Device • Padua • Skin • Dance notations • Body • Pordenone • Theatre and performance • 1960s radicalism • Female • Abramović • Avant-garde, Mask, Hybrid Identity, Abjection Embo • Casts • Iconology • Dance • Aesthetics and politics • Prospero Clemente • Russian ballet • Anna Moffo • Franciscan saints • Marcantonio Magno • Symbolism • Iconography • Avant-garde • Television • Cult • Galindo • Andrea Mantegna • Plague • Saint Sebastian • Revolutionary avant-garde • Devotion • Biopolitic • Nijinsky • Ornamentation • Puer mingens • Performer • Neo-avant-garde • Fruition • Gothic • La Salpêtrière • Performance Art • Soprano • Louvre • Stage • Performance • Agamben • Theatre • Body movements

Permalink http://doi.org/10.30687/VA/2385-2720/2019/05 | Published Dec. 11, 2019 | Language en, it

Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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