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Monographic journal issue
open access peer reviewed

The Body of Art

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Language: it, en

Published: Dec. 11, 2019

Keywords

Abramović • Anna Moffo • Puer mingens • Costume • Stage • Theatre and performance • Galindo • Film • Avant-garde, Mask, Hybrid Identity, Abjection Embo • Marcantonio Magno • Casts • Iconography • Cult • Nicoletto da Modena • Drawing • Ornamentation • Emilia, Veneto • Body • Nijinsky • Body movements • Device • Female • Performance • Plague • Franciscan saints • Television • Theatre • Performance Art • Padua • Dance notations • 1960s radicalism • Fruition • Neo-avant-garde • Louvre • Prospero Clemente • Devotion • Soprano • Biopolitic • Vanessa Beecroft • Opera • Aesthetics and politics • Iconology • Illusion • Printmaking • Saint Sebastian • Avant-garde • Russian ballet • Dance • Performer • Models • Pordenone • Agamben • Skin • Revolutionary avant-garde • Symbolism • Gothic • Andrea Mantegna • La Salpêtrière

permalink http://doi.org/10.30687/VA/2385-2720/2019/05

Copyright: © 2019 This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.