Edizioni Ca' Foscari

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Monographic journal issue
open access peer reviewed

The Body of Art

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Language: it, en

Published: Dec. 11, 2019

Keywords

Printmaking • Performer • Performance Art • Illusion • Puer mingens • Prospero Clemente • Revolutionary avant-garde • Drawing • Theatre and performance • Device • Saint Sebastian • Theatre • Russian ballet • 1960s radicalism • Dance notations • Television • Biopolitic • Andrea Mantegna • Aesthetics and politics • Iconology • Skin • Casts • Marcantonio Magno • Body movements • Stage • Performance • Ornamentation • Iconography • Fruition • Avant-garde • Abramović • Franciscan saints • Symbolism • Cult • Models • Emilia, Veneto • Pordenone • Body • Costume • Padua • Vanessa Beecroft • Nicoletto da Modena • Agamben • Dance • Film • Avant-garde, Mask, Hybrid Identity, Abjection Embo • Opera • Soprano • La Salpêtrière • Gothic • Neo-avant-garde • Louvre • Anna Moffo • Devotion • Female • Galindo • Plague • Nijinsky

permalink http://doi.org/10.30687/VA/2385-2720/2019/05

Copyright: © 2019 This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.