Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

The Body of Art

open access | peer reviewed

Keywords Nijinsky • Soprano • Anna Moffo • Iconology • Female • Neo-avant-garde • Pordenone • Russian ballet • Andrea Mantegna • Saint Sebastian • Prospero Clemente • Theatre • Gothic • Performance • Revolutionary avant-garde • Devotion • Marcantonio Magno • Costume • Agamben • Performer • Dance • Device • Nicoletto da Modena • Printmaking • Puer mingens • Avant-garde, Mask, Hybrid Identity, Abjection Embo • Film • Casts • Plague • 1960s radicalism • Franciscan saints • Theatre and performance • Emilia, Veneto • Ornamentation • Fruition • Body • Dance notations • Models • Iconography • Biopolitic • La Salpêtrière • Symbolism • Vanessa Beecroft • Body movements • Television • Galindo • Opera • Abramović • Cult • Padua • Illusion • Aesthetics and politics • Skin • Performance Art • Drawing • Avant-garde • Louvre • Stage

Permalink http://doi.org/10.30687/VA/2385-2720/2019/05 | Published Dec. 11, 2019 | Language it, en

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