The Reception of Don Chisciotte in Italy

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DC Field	Value
dc.identifier	ECF_article_5548
dc.title	The Reception of Don Chisciotte in Italy. About Three Recent Editions
dc.contributor.author	Ruta Maria Caterina
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing, Fondazione Università Ca’ Foscari
dc.type	Research Article
dc.language.iso	it
dc.identifier.uri	http://edizionicafoscari.unive.it/en/edizioni4/riviste/rassegna-iberistica/2021/115/la-fortuna-del-don-chisciotte-in-italia/
dc.description.abstract	Within the research promoted by the collection “Recreaciones Quijotescas en Europa” whose aim is to disseminate critical editions and translations of rewritings or reassessments of Quijote by Miguel de Cervantes, three librettos of Italian operas from the first half of the 18th century have been published. The operas were performed at the Viennese court of Charles VI, where the poets Apostolo Zeno and Pietro Pariati, authors of the libretto Don Quixote in Sierra Morena, and Claudio Pasquini, author of Don Quixote in court of the Duchess and Sancio Panza governor of the island Barattaria, had been invited to work. In the essays preceding these editions, the specialists involved in the research describe the cultural and social environment the operas were intended for, deepen the relationships between Cervantes’ novel and the adaptations of the librettos, also commenting on their changes in the light of the new context.
dc.relation.ispartof	Rassegna iberistica
dc.relation.ispartof	Vol. 44 \| Issue 115 \| June 2021
dc.issued	2021-06-29
dc.dateSubmitted	2021-02-18
dc.identifier.issn
dc.identifier.eissn	2037-6588
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
dc.identifier.doi	10.30687/Ri/2037-6588/2021/16/016
dc.peer-review	no
dc.subject	Chisciotte
dc.subject	Chisciotte
dc.subject	Eighteenth century
dc.subject	Eighteenth century
dc.subject	\| Fortuna
dc.subject	\| Fortuna
dc.subject	Libretti
dc.subject	Libretti
dc.subject	Libretto
dc.subject	Libretto
dc.subject	Opera
dc.subject	Opera
dc.subject	Quixote
dc.subject	Quixote
dc.subject	Settecento
dc.subject	Settecento
dc.subject	Success
dc.subject	Success

Research Article
open access

The Reception of Don Chisciotte in Italy

About Three Recent Editions

Maria Caterina Ruta Università degli Studi di Palermo, Italia

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abstract

Within the research promoted by the collection “Recreaciones Quijotescas en Europa” whose aim is to disseminate critical editions and translations of rewritings or reassessments of Quijote by Miguel de Cervantes, three librettos of Italian operas from the first half of the 18th century have been published. The operas were performed at the Viennese court of Charles VI, where the poets Apostolo Zeno and Pietro Pariati, authors of the libretto Don Quixote in Sierra Morena, and Claudio Pasquini, author of Don Quixote in court of the Duchess and Sancio Panza governor of the island Barattaria, had been invited to work. In the essays preceding these editions, the specialists involved in the research describe the cultural and social environment the operas were intended for, deepen the relationships between Cervantes’ novel and the adaptations of the librettos, also commenting on their changes in the light of the new context.

Published

June 29, 2021

Submitted

Feb. 18, 2021

Language

Keywords: Chisciotte • Opera • | Fortuna • Settecento • Libretti • Success • Libretto • Quixote • Eighteenth century

permalink http://doi.org/10.30687/Ri/2037-6588/2021/16/016

Copyright: © 2021 Maria Caterina Ruta. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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