Journal | Rassegna iberistica
Journal issue | 38 | 104 | 2015
Research Article | Despiece peatonal | Respiración continua by Julio Reija
Abstract
The last poetry book of Julio Reija combines two different poetry collections in the same object though a very peculiar layout designed by the same author. Far from looking for a mere rhetorical effect, the specific layout of the book is constitutive of the way Reija understands poetry: his practice of poetry is a continuous exercise in which words are literally and desperately disjointed, fragmented, took apart in a writing that is always searching for a new form. Julio Reija’s writing combines the derridian deconstruction of logos (language and though) with an ethical posture against the overwhelming power of mass media in contemporary world.
Published Dec. 1, 2015 | Language: es
Keywords Visual poetry • Book-object • Deconstruction • Mass media
Copyright © 2015 Alessandro Mistrorigo. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.14277/2037-6588/77p
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DC Field | Value |
---|---|
dc.identifier |
ECF_article_214 |
dc.title |
Despiece peatonal | Respiración continua by Julio Reija. A (Not Exclusively) Double Book |
dc.contributor.author |
Mistrorigo Alessandro |
dc.publisher |
Edizioni Ca’ Foscari - Digital Publishing |
dc.type |
Research Article |
dc.language.iso |
es |
dc.identifier.uri |
http://edizionicafoscari.it/en/edizioni4/riviste/rassegna-iberistica/2015/104/despiece-peatonal-respiracion-continua-de-julio-re/ |
dc.description.abstract |
The last poetry book of Julio Reija combines two different poetry collections in the same object though a very peculiar layout designed by the same author. Far from looking for a mere rhetorical effect, the specific layout of the book is constitutive of the way Reija understands poetry: his practice of poetry is a continuous exercise in which words are literally and desperately disjointed, fragmented, took apart in a writing that is always searching for a new form. Julio Reija’s writing combines the derridian deconstruction of logos (language and though) with an ethical posture against the overwhelming power of mass media in contemporary world. |
dc.relation.ispartof |
Rassegna iberistica |
dc.relation.ispartof |
Vol. 38 | Issue 104 | December 2015 |
dc.issued |
2015-12-01 |
dc.identifier.issn |
|
dc.identifier.eissn |
2037-6588 |
dc.rights |
Creative Commons Attribution 4.0 International Public License |
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
dc.identifier.doi |
10.14277/2037-6588/77p |
dc.peer-review |
yes |
dc.subject |
Book-object |
dc.subject |
Book-object |
dc.subject |
Deconstruction |
dc.subject |
Deconstruction |
dc.subject |
Mass media |
dc.subject |
Mass media |
dc.subject |
Visual poetry |
dc.subject |
Visual poetry |
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