Journal |
Quaderni Veneti
Journal issue | 5 | 1 | 2016
Research Article | ’l pien e ‘l vódo dela testa-tera
Abstract
This paper is the testimony of a composer on the relationship between poetic text and musical score, based on a direct experience: the composition of Dai Filò of Zanotto, a ‘triptych for four female voices and piano’ (2003).
Submitted: Jan. 16, 2017 | Published Aug. 2, 2017 | Language: it
Keywords Andrea Zanzotto • Poetry and music in the 21th Century
Copyright © 2016 Claudio Ambrosini. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.14277/1724-188X/QV-5-1-16-7