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DC Field	Value
dc.identifier	ECF_article_14527
dc.title	«Una pagina intera di storia dell’arte ricucita». Il restauro di Alfonso Rubbiani del ciclo pittorico di Giorgio Vasari nel refettorio di San Michele in Bosco a Bologna
dc.contributor.author	Lupi Danilo
dc.publisher	Edizioni Ca’ Foscari - Venice University Press, Fondazione Università Ca’ Foscari
dc.type	Research Article
dc.language.iso	it
dc.identifier.uri	http://edizionicafoscari.it/en/edizioni4/riviste/mdccc-1800/2023/1/una-pagina-intera-di-storia-dellarte-ricucita/
dc.description.abstract	This paper investigates for the first time the restoration work carried out on the refectory of the monastery of San Michele in Bosco in Bologna, which was supervised by Alfonso Rubbiani between 1892 and 1895. In spite of the vast literature on the ‘restorer’, this work has so far been scarcely considered both because of the chronology of the building (mid-Sixteenth century) as well as because it did not entail radical changes. Indeed, the limited size of the room and the numerous documentary traces – carefully tracked by Rubbiani and his patron, the lawyer Giuseppe Bacchelli – were addressing the operation philologically. The discovery of unpublished archival evidence contributed to a more appropriate understanding of the overall work; in particular, it is possible to note how the initial intentions of the architect and the commissioner, which were based on erudite investigations that involved intellectuals and politicians of the time, did not, unfortunately, come to fruition.
dc.relation.ispartof	MDCCC 1800
dc.relation.ispartof	Vol. 12 \| December 2023
dc.issued	2023-12-04
dc.dateAccepted	2023-05-16
dc.dateSubmitted	2023-03-14
dc.identifier.issn
dc.identifier.eissn	2280-8841
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
dc.identifier.doi	10.30687/MDCCC/2280-8841/2023/01/005
dc.peer-review	yes
dc.subject	Alfonso Rubbiani
dc.subject	Bologna
dc.subject	Giorgio Vasari
dc.subject	Giuseppe Bacchelli
dc.subject	San Michele in Bosco

Research Article
open access peer reviewed

«Una pagina intera di storia dell’arte ricucita»

Il restauro di Alfonso Rubbiani del ciclo pittorico di Giorgio Vasari nel refettorio di San Michele in Bosco a Bologna

Danilo Lupi Università degli Studi di Siena, Italia

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abstract

This paper investigates for the first time the restoration work carried out on the refectory of the monastery of San Michele in Bosco in Bologna, which was supervised by Alfonso Rubbiani between 1892 and 1895. In spite of the vast literature on the ‘restorer’, this work has so far been scarcely considered both because of the chronology of the building (mid-Sixteenth century) as well as because it did not entail radical changes. Indeed, the limited size of the room and the numerous documentary traces – carefully tracked by Rubbiani and his patron, the lawyer Giuseppe Bacchelli – were addressing the operation philologically. The discovery of unpublished archival evidence contributed to a more appropriate understanding of the overall work; in particular, it is possible to note how the initial intentions of the architect and the commissioner, which were based on erudite investigations that involved intellectuals and politicians of the time, did not, unfortunately, come to fruition.

Published

Dec. 4, 2023

Accepted

May 16, 2023

Submitted

March 14, 2023

Language

Keywords: Bologna • Alfonso Rubbiani • Giuseppe Bacchelli • San Michele in Bosco • Giorgio Vasari

permalink http://doi.org/10.30687/MDCCC/2280-8841/2023/01/005

Copyright: © 2023 Danilo Lupi. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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