7 | 2018

Keywords Dante’s mask • Cottages • Charles Heathcote Tatham • Market • Brera • Salon • Argentinian art • L’Art Moderne • Francesco Hayez • James Malton • Matteo Casella • Belgium • Getty Research Institute • Degas • Koch • Theatre decoration • Paul Delaroche • Mural painting • Ambrogio Uboldo • Connoisseurship • Milan • Veit • Titian • Etchings • Papal states • Claude Monet • Abbozzo • 19th Century French paintings • Arcadian Iconography • Joseph Michael Gandy • N • Stanze a boschereccia • Giuseppe Sogni • 19th Century Italian paintings • Rome • Impressionism • Delacroix • Valenti Gonzaga • Ingres • Raffaele Vincenzo Barone • Academy of Arcadia • Applied arts • George Augustus Wallis • Vittorio Pica • Art collections • Mussini • La Jeune Belgique • Cernusco sul Naviglio • Pattern book • Høyen • Experimental series • Andrea Mantegna • Giuseppe De Nittis • Grand Tour • Cultural exchanges • Picturesque • L

Permalink http://doi.org/10.30687/MDCCC/2280-8841/2018/07 | Published July 31, 2018 | Language it, es

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