7 | 2018

Keywords Cultural exchanges • George Augustus Wallis • 19th Century Italian paintings • Impressionism • Degas • Ingres • L’Art Moderne • Belgium • Grand Tour • Delacroix • Valenti Gonzaga • Giuseppe Sogni • Charles Heathcote Tatham • James Malton • Koch • Pattern book • Connoisseurship • Cottages • Matteo Casella • Milan • L • Salon • Vittorio Pica • La Jeune Belgique • Joseph Michael Gandy • Rome • Arcadian Iconography • 19th Century French paintings • Argentinian art • Andrea Mantegna • Theatre decoration • Picturesque • Abbozzo • Titian • Giuseppe De Nittis • Papal states • Market • N • Applied arts • Mural painting • Claude Monet • Cernusco sul Naviglio • Academy of Arcadia • Etchings • Brera • Ambrogio Uboldo • Getty Research Institute • Høyen • Mussini • Raffaele Vincenzo Barone • Experimental series • Stanze a boschereccia • Veit • Dante’s mask • Francesco Hayez • Paul Delaroche • Art collections

Permalink http://doi.org/10.30687/MDCCC/2280-8841/2018/07 | Published July 31, 2018 | Language it, es

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