7 | 2018

Keywords Pattern book • Papal states • Claude Monet • Veit • 19th Century French paintings • Paul Delaroche • Degas • Salon • Mural painting • George Augustus Wallis • 19th Century Italian paintings • Giuseppe De Nittis • Raffaele Vincenzo Barone • Titian • Picturesque • Giuseppe Sogni • Milan • L’Art Moderne • Cultural exchanges • Belgium • Etchings • Valenti Gonzaga • Rome • Connoisseurship • Impressionism • Stanze a boschereccia • Getty Research Institute • Delacroix • Joseph Michael Gandy • Matteo Casella • Argentinian art • Andrea Mantegna • L • Ambrogio Uboldo • Mussini • Charles Heathcote Tatham • Experimental series • Cernusco sul Naviglio • Academy of Arcadia • Art collections • Market • Dante’s mask • Theatre decoration • La Jeune Belgique • N • Cottages • Applied arts • Grand Tour • Koch • Brera • Arcadian Iconography • Francesco Hayez • Høyen • James Malton • Ingres • Vittorio Pica • Abbozzo

Permalink http://doi.org/10.30687/MDCCC/2280-8841/2018/07 | Published July 31, 2018 | Language es, it

Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.