MDCCC 1800

6 | 2017

open access | peer reviewed
Abstract

Keywords Display • Antonio Salviati • World’s Fair • Art Exhibition • Weltausstellung • Paris 1867 • Liberty • Carlo Ceppi • Eugenio Linati • Fin-de-siècle • Vienna • Russian fine art • Islamic Art • American Artists • Adolfo Hohenstein • Exhibition • Exposition Universelle • Murano • American Art • Mosaic • Giacomo Salvadori • Expositions Universelles • Khedive Ismail • Industrial arts • Persia • Surrealism • Zaragoza • Colonialism • Cosmopolitanism • Alessandro Volta • Costantino Gilodi • Simbolism • Ottoman Empire • Art nouveau • World Fairs • Lombardy • Imperial Fine Arts Academy • Ottoman Turkey • Russian painters in America • World’s Columbian Exposition • Commission of monuments • Heritage • Landscape painting • Photography • Emilio Longoni • Decorative arts • Divisionismo • Eclecticism • Egypt • Avant-garde Exhibitions • Glasswork • Paris • Peredvizhniki • Como

Permalink http://doi.org/10.14277/2280-8841/MDCCC-6-17 | Published July 31, 2017 | Language it, en

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