MDCCC 1800

6 | 2017

open access | peer reviewed
Abstract

Keywords Persia • Peredvizhniki • Imperial Fine Arts Academy • Colonialism • Glasswork • Russian painters in America • World Fairs • Carlo Ceppi • Heritage • Ottoman Empire • Alessandro Volta • Islamic Art • Photography • Russian fine art • Simbolism • Exhibition • Egypt • American Art • Khedive Ismail • Avant-garde Exhibitions • Murano • Mosaic • Emilio Longoni • Costantino Gilodi • Liberty • Exposition Universelle • American Artists • Zaragoza • Ottoman Turkey • Surrealism • Divisionismo • Paris 1867 • Eugenio Linati • Vienna • Antonio Salviati • Expositions Universelles • Fin-de-siècle • Weltausstellung • Art Exhibition • Landscape painting • World’s Fair • Display • Decorative arts • Lombardy • Como • Cosmopolitanism • Adolfo Hohenstein • Art nouveau • World’s Columbian Exposition • Commission of monuments • Giacomo Salvadori • Industrial arts • Paris • Eclecticism

Permalink http://doi.org/10.14277/2280-8841/MDCCC-6-17 | Published July 31, 2017 | Language it, en

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