Un Christophe ignoré des Césairiens

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DC Field	Value
dc.identifier	ECF_article_1291
dc.title	Un Christophe ignoré des Césairiens. Notes pour des genèses
dc.contributor.author	Jonassaint Jean
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing
dc.type	Research Article
dc.language.iso	fr
dc.identifier.uri	http://edizionicafoscari.it/en/edizioni4/riviste/il-tolomeo/2017/1/un-christophe-ignore-des-cesairiens/
dc.description.abstract	After the triumph of King Christophe in Salzburg in 1964, Europa Studio, a subsidiary of Bertelsmann, co-produced with Austrian television a TV show of Jean-Marie Serreau’s production, directed by Ottokar Runze and aired on 20 January 1965. This historical moment of Francophone theatre and Césaire’s work, with the exceptional presence of Mathilde Beauvoir, is ignored by critics until today. Why? This is the first question we addressed going back to the genesis of this TV production. In this way, we also question his autoriality (authors and right holders), and then show how this theatrical genetics makes it possible to better read the texts, to understand their passage from an indigenous semiotic to an exogenous one – a key question for Francophone studies.
dc.relation.ispartof	Il Tolomeo
dc.relation.ispartof	Vol. 19 \| December 2017
dc.issued	2017-12-21
dc.dateAccepted	2017-10-22
dc.dateSubmitted	2017-10-20
dc.identifier.issn
dc.identifier.eissn	2499-5975
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
dc.identifier.doi	10.14277/2499-5975/Tol-19-17-09
dc.peer-review	yes
dc.subject	Aimé Césaire
dc.subject	Aimé Césaire
dc.subject	Europa Studio
dc.subject	Europa Studio
dc.subject	Jean-Marie Serreau
dc.subject	Jean-Marie Serreau
dc.subject	Mathilde Beauvoir
dc.subject	Mathilde Beauvoir
dc.subject	Ottokar Runze
dc.subject	Ottokar Runze
dc.subject	Roger Blin
dc.subject	Roger Blin
dc.subject	Roi Christophe/King Christophe
dc.subject	Roi Christophe/King Christophe
dc.subject	Theatrical genetics
dc.subject	Theatrical genetics

Research Article
open access peer reviewed

Notes pour des genèses

Jean Jonassaint Syracuse University, U.S.A.

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abstract

After the triumph of King Christophe in Salzburg in 1964, Europa Studio, a subsidiary of Bertelsmann, co-produced with Austrian television a TV show of Jean-Marie Serreau’s production, directed by Ottokar Runze and aired on 20 January 1965. This historical moment of Francophone theatre and Césaire’s work, with the exceptional presence of Mathilde Beauvoir, is ignored by critics until today. Why? This is the first question we addressed going back to the genesis of this TV production. In this way, we also question his autoriality (authors and right holders), and then show how this theatrical genetics makes it possible to better read the texts, to understand their passage from an indigenous semiotic to an exogenous one – a key question for Francophone studies.

Published

Dec. 21, 2017

Accepted

Oct. 22, 2017

Submitted

Oct. 20, 2017

Language

Keywords: Theatrical genetics • Roger Blin • Europa Studio • Jean-Marie Serreau • Mathilde Beauvoir • Aimé Césaire • Roi Christophe/King Christophe • Ottokar Runze

permalink http://doi.org/10.14277/2499-5975/Tol-19-17-09

Copyright: © 2017 Jean Jonassaint. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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