Journal | Il Tolomeo
Journal issue | 19 | 2017
Research Article | Un Christophe ignoré des Césairiens
Un Christophe ignoré des Césairiens
Notes pour des genèses
- Jean Jonassaint - Syracuse University, U.S.A. - email
Abstract
After the triumph of King Christophe in Salzburg in 1964, Europa Studio, a subsidiary of Bertelsmann, co-produced with Austrian television a TV show of Jean-Marie Serreau’s production, directed by Ottokar Runze and aired on 20 January 1965. This historical moment of Francophone theatre and Césaire’s work, with the exceptional presence of Mathilde Beauvoir, is ignored by critics until today. Why? This is the first question we addressed going back to the genesis of this TV production. In this way, we also question his autoriality (authors and right holders), and then show how this theatrical genetics makes it possible to better read the texts, to understand their passage from an indigenous semiotic to an exogenous one – a key question for Francophone studies.
Submitted: Oct. 20, 2017 | Accepted: Oct. 22, 2017 | Published Dec. 21, 2017 | Language: fr
Keywords Aimé Césaire • Mathilde Beauvoir • Theatrical genetics • Roger Blin • Europa Studio • Jean-Marie Serreau • Roi Christophe/King Christophe • Ottokar Runze
Copyright © 2017 Jean Jonassaint. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.14277/2499-5975/Tol-19-17-09
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| DC Field | Value |
|---|---|
|
dc.identifier |
ECF_article_1291 |
|
dc.title |
Un Christophe ignoré des Césairiens. Notes pour des genèses |
|
dc.contributor.author |
Jonassaint Jean |
|
dc.publisher |
Edizioni Ca’ Foscari - Digital Publishing |
|
dc.type |
Research Article |
|
dc.language.iso |
fr |
|
dc.identifier.uri |
http://edizionicafoscari.it/en/edizioni4/riviste/il-tolomeo/2017/1/un-christophe-ignore-des-cesairiens/ |
|
dc.description.abstract |
After the triumph of King Christophe in Salzburg in 1964, Europa Studio, a subsidiary of Bertelsmann, co-produced with Austrian television a TV show of Jean-Marie Serreau’s production, directed by Ottokar Runze and aired on 20 January 1965. This historical moment of Francophone theatre and Césaire’s work, with the exceptional presence of Mathilde Beauvoir, is ignored by critics until today. Why? This is the first question we addressed going back to the genesis of this TV production. In this way, we also question his autoriality (authors and right holders), and then show how this theatrical genetics makes it possible to better read the texts, to understand their passage from an indigenous semiotic to an exogenous one – a key question for Francophone studies. |
|
dc.relation.ispartof |
Il Tolomeo |
|
dc.relation.ispartof |
Vol. 19 | December 2017 |
|
dc.issued |
2017-12-21 |
|
dc.dateAccepted |
2017-10-22 |
|
dc.dateSubmitted |
2017-10-20 |
|
dc.identifier.issn |
|
|
dc.identifier.eissn |
2499-5975 |
|
dc.rights |
Creative Commons Attribution 4.0 International Public License |
|
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
|
dc.identifier.doi |
10.14277/2499-5975/Tol-19-17-09 |
|
dc.peer-review |
yes |
|
dc.subject |
Aimé Césaire |
|
dc.subject |
Aimé Césaire |
|
dc.subject |
Europa Studio |
|
dc.subject |
Europa Studio |
|
dc.subject |
Jean-Marie Serreau |
|
dc.subject |
Jean-Marie Serreau |
|
dc.subject |
Mathilde Beauvoir |
|
dc.subject |
Mathilde Beauvoir |
|
dc.subject |
Ottokar Runze |
|
dc.subject |
Ottokar Runze |
|
dc.subject |
Roger Blin |
|
dc.subject |
Roger Blin |
|
dc.subject |
Roi Christophe/King Christophe |
|
dc.subject |
Roi Christophe/King Christophe |
|
dc.subject |
Theatrical genetics |
|
dc.subject |
Theatrical genetics |
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