Journal | Il Tolomeo
Journal issue | 19 | 2017
Research Article | Le marronnage en tant que moyen de résistance dans le film Nèg Maron
Le marronnage en tant que moyen de résistance dans le film Nèg Maron
- Stève Puig - St John's University - email
Abstract
As Richard Burton and Marie-Christine Rochman have shown respectively in Le roman marron (1997) and in L’esclave fugitif dans la littérature antillaise (2000), the maroon is an omnipresent character in French Caribbean literature. Both scholars depict the maroon as a mythical figure that serves as a symbol of rebellion against the colonial system. In 2005, the movie Nèg Maron is released in France, giving the audience a new representation of the maroon in a film that leads to a new kind of marronnage based on a realisation of Guadeloupe’s colonial history as a physical one. By establishing some parallels between the movie and literature, I will show how we have moved on from the old depiction of the maroon in the context of slavery to a more contemporary portrait of Caribbean life in the French Antilles, and a new mode of resistance, which takes place, as Édouard Glissant and Patrick Chamoiseau have suggested, on a collective imaginary level as well as on a more concrete one.
Submitted: July 16, 2017 | Accepted: Aug. 21, 2017 | Published Dec. 21, 2017 | Language: fr
Keywords Guadeloupe • Film • Nèg Maron • Antilles • Marronnage
Copyright © 2017 Stève Puig. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.14277/2499-5975/Tol-19-17-11
Testi creativi | Creative Works | Créations
- Marrakech
- Abdelwahab Meddeb
- Dec. 21, 2017
- Marrakech. Traduzione
- Anna Zoppellari
- Dec. 21, 2017
-
Meddeb
Note biographique - Anna Zoppellari
- Dec. 21, 2017
- Story-Telling – Narrazione
- Christine De Luca, Francesca Romana Paci
- Dec. 21, 2017
- Christine De Luca’s Poetics of Gaze and the Power of Intellect
- Edvige Pucciarelli
- Dec. 21, 2017
- DNA
- Lasana M. Sekou
- Dec. 21, 2017
-
DNA, by Lasana M. Sekou (2016)
Traduzione di Federica Messulam (2017) - Federica Messulam
- Dec. 21, 2017
- Introduzione all’opera di Lasana M. Sekou, poeta Caraibico
- Michela A. Calderaro
- Dec. 21, 2017
- The Book of Rules
- Geoffrey Philp
- Dec. 21, 2017
- Introduction to Geoffrey Philp’s Works
- Michela A. Calderaro
- Dec. 21, 2017
-
Prospero e Caliban
Il tempo e la Storia - Giulio Marra
- Dec. 21, 2017
Articoli | Articles | Articles
-
Vers une francophonie littéraire en manifestations
Le festival Étonnants Voyageurs et les Rencontres québécoises en Haïti - Michał Obszyński
- Dec. 21, 2017
-
Diablesse de femme
De l’ethnographie à la narration, la métamorphose dans le conte folklorique haïtien - Veronica Brunetto
- Dec. 21, 2017
- Une approche au motif urbain dans l’œuvre d’Abdelwahab Meddeb
- Anna Zoppellari
- Dec. 21, 2017
-
Un Christophe ignoré des Césairiens
Notes pour des genèses - Jean Jonassaint
- Dec. 21, 2017
-
La chambre de Claire, ou l’espace du « non-Je »
Analyse de Amour de Marie Vieux-Chauvet - Anna Da Rozze
- Dec. 21, 2017
- Le marronnage en tant que moyen de résistance dans le film Nèg Maron
- Stève Puig
- Dec. 21, 2017
-
Ahmadou Kourouma et la transposition de la parole malinké
Analyse de la représentation langagière et du projet de légitimation linguistique dans Allah n’est pas obligé - Silvia Boraso
- Dec. 21, 2017
-
The Land of Saints and How to Get Out of It
Irish Diaspora on the Irish stage (1904 to 1939) - Fabio Luppi
- Dec. 21, 2017
-
“Homeland America, bismillah”
Mohja Kahf’s The Girl in the Tangerine Scarf and the Dissonance of Nationhood - Marta Cariello
- Dec. 21, 2017
-
Shakespeare’s Other Eden
Richard II by Ouroboros Theatre Company (2013) - Loredana Salis
- Dec. 21, 2017
- Amitav Ghosh: Climate Change Here and Now
- Carmen Concilio
- Dec. 21, 2017
-
“Pip is my story”
Cross-Fertilising Narratives in Lloyd Jones’s Mister Pip - Caterina Colomba
- Dec. 21, 2017
Interviste | Interviews | Interviews
- Dermot Bolger in Conversation with Irene De Angelis
- Irene De Angelis
- Dec. 21, 2017
- In conversation with Michael Barker-Caven, director of Richard II for Ouroboros Theatre, Ireland, in a co-production with the Abbey Theatre/Everyman Theatre, Cork, April 2013.
- Loredana Salis
- Dec. 21, 2017
-
La francophonie littéraire dans le système universitaire français et sur le marché du livre en France
Entretien avec Romuald Fonkoua, directeur du Centre international d’études francophones à l’Université Paris-Sorbonne et rédacteur en chef de la revue Présence africaine - Michał Obszyński
- Dec. 21, 2017
-
De l’hypnose sidérante d’un écran à une démarche sensorielle de vie et de rencontre
Interview à Ritta Baddoura - Francesca Tumia
- Dec. 21, 2017
Recensioni | Reviews | Comptes rendus
-
Schwarz-Bart, André ; Schwarz-Bart, Simone (2017). Adieu Bogota. Paris : Éditions du Seuil, 265 pp.
Suite - et fin ?- du cycle antillais schwarz-bartien - Kathleen Gyssels
- Dec. 21, 2017
-
Dalembert, Louis-Philippe (2017).
- Alessia Vignoli
- Dec. 21, 2017
- Magdelaine-Andrianjafitrimo, Valérie (éd.) (2015). Écrivaines de l’Île Maurice et de La Réunion. ‘Tisser des fils épars’. Lecce : Alliance Française, 311 pp. Interculturel Francophonies 28
- Anna Da Rozze
- Dec. 21, 2017
- Brinker, V. (éd.). « Poétique d’Abdourahman A. Waberi. Héritages et singularités » (2016). Num. monogr., Interculturel Francophonies, 29, juin-juillet, 248 pp.
- Anna Michieletto
- Dec. 21, 2017
- « Odeurs, senteurs, parfums ». Ponti/Ponts. Langues, littératures et civilisations des Pays Francophones, 16, 2016, 252 pp.
- Sara Del Rossi
- Dec. 21, 2017
- Mansueto rec. Albertazzi, Costantini, Zoppellari
- Claudia Mansueto
- Dec. 21, 2017
- Fréchet, Claudine (éd.) (2016). La variation du français dans le monde. Quelle place dans l’enseignement ? Limoges : Lambert-Lucas, 129 pp.
- Annick Farina
- Dec. 21, 2017
-
Joyce, Finnegans Wake, Libro terzo, Capitoli 1 e 2 / Lettere e saggi
L’ansia della finitudine - Francesca Romana Paci
- Dec. 21, 2017
- Joyce, Finnegans Wake / Pomes Penyeach
- Marco Fazzini
- Dec. 21, 2017
- Bliss, Eliot (2015). Spring Evenings in Sterling Street. Poems. Edited by Michela A. Calderaro. Kindle Edition, 128 pp.
- Eleonora Cecchin
- Dec. 21, 2017
- Vallorani, Nicoletta (ed.) (2016). Introduzione ai Cultural Studies. UK, USA e paesi anglofoni. Roma: Carrocci, 209 pp.
- Luigi Carmine Cazzato
- Dec. 21, 2017
- Philp, Geoffrey (2016). Garvey’s Ghost. Kingston: Carlong Publishers Ltd, 254 pp.
- Donna Aza Weir-Soley
- Dec. 21, 2017
- Bromley, R. et al. (eds.) (2016). «CrOCEVIA. ENGAGING WOR(L)DS IN POSTCOLONIAL STUDIES. Human Rights, Environmental Humanities and Well-being». Monogr. no, Ricognizioni, 3(5), 170 pp.
- Diana Osti
- Dec. 21, 2017
-
Maximilien Laroche
Nécrologe - Suzanne Crosta
- Dec. 21, 2017
Bio-bibliographies
- Bio-bibliographies
- Dec. 21, 2017
| DC Field | Value |
|---|---|
|
dc.identifier |
ECF_article_1065 |
|
dc.title |
Le marronnage en tant que moyen de résistance dans le film Nèg Maron |
|
dc.contributor.author |
Puig Stève |
|
dc.publisher |
Edizioni Ca’ Foscari - Digital Publishing |
|
dc.type |
Research Article |
|
dc.language.iso |
fr |
|
dc.identifier.uri |
http://edizionicafoscari.it/en/edizioni4/riviste/il-tolomeo/2017/1/le-marronnage-en-tant-que-moyen-de-resistance-dans/ |
|
dc.description.abstract |
As Richard Burton and Marie-Christine Rochman have shown respectively in Le roman marron (1997) and in L’esclave fugitif dans la littérature antillaise (2000), the maroon is an omnipresent character in French Caribbean literature. Both scholars depict the maroon as a mythical figure that serves as a symbol of rebellion against the colonial system. In 2005, the movie Nèg Maron is released in France, giving the audience a new representation of the maroon in a film that leads to a new kind of marronnage based on a realisation of Guadeloupe’s colonial history as a physical one. By establishing some parallels between the movie and literature, I will show how we have moved on from the old depiction of the maroon in the context of slavery to a more contemporary portrait of Caribbean life in the French Antilles, and a new mode of resistance, which takes place, as Édouard Glissant and Patrick Chamoiseau have suggested, on a collective imaginary level as well as on a more concrete one. |
|
dc.relation.ispartof |
Il Tolomeo |
|
dc.relation.ispartof |
Vol. 19 | December 2017 |
|
dc.issued |
2017-12-21 |
|
dc.dateAccepted |
2017-08-21 |
|
dc.dateSubmitted |
2017-07-16 |
|
dc.identifier.issn |
|
|
dc.identifier.eissn |
2499-5975 |
|
dc.rights |
Creative Commons Attribution 4.0 International Public License |
|
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
|
dc.identifier.doi |
10.14277/2499-5975/Tol-19-17-11 |
|
dc.peer-review |
yes |
|
dc.subject |
Antilles |
|
dc.subject |
Antilles |
|
dc.subject |
Film |
|
dc.subject |
Film |
|
dc.subject |
Guadeloupe |
|
dc.subject |
Guadeloupe |
|
dc.subject |
Marronnage |
|
dc.subject |
Marronnage |
|
dc.subject |
Nèg Maron |
|
dc.subject |
Nèg Maron |
| Download data |
-
file_download 10
-
search 420
-
format_quote 0
