Journal | Annali di Ca’ Foscari. Serie orientale
Journal issue | 56 | 2020
Research Article | Aishī’s ʿIshrat-nāma: a Dah-nāma with Unexpected Messengers
Abstract
In the first part of this article I presented an edition with a short introduction of ʿAishī Shīrāzī’s ʿIshrat-nāma, a poem belonging to the dah-nāma genre. In this second part I discuss the messengers who convey the messengers between the two lovers. At the request of his patron, ʿInāyat, an amir of the Aq-Quyūnlū Khalīl b. Uzun Ḥasan, instead of the usual messenger, the wind, ʿAishī chose for ten musical instruments. I argue that the choice of these instruments, and the way they are decribed, are not accidental but subtly convey the evolution of the protagonists’ feelings.
Published June 30, 2020 | Language: en
Keywords Mathnawī • ʿAishī Shīrāzī • ʿIshrat-nāma • Dah-nāma • Messenger motif • Musical instruments
Copyright © 2020 Anna Livia Beelaert. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/AnnOr/2385-3042/2020/56/008
Articles
Reviews
DC Field | Value |
---|---|
dc.identifier |
ECF_article_3293 |
dc.title |
Aishī’s ʿIshrat-nāma: a Dah-nāma with Unexpected Messengers |
dc.contributor.author |
Beelaert Anna Livia |
dc.publisher |
Edizioni Ca’ Foscari - Digital Publishing, Fondazione Università Ca’ Foscari |
dc.type |
Research Article |
dc.language.iso |
en |
dc.identifier.uri |
http://edizionicafoscari.it/en/edizioni4/riviste/annali-di-ca-foscari-serie-orientale/2020/56/aishis-ishrat-nama-a-dah-nama-with-unexpected-mess/ |
dc.description.abstract |
In the first part of this article I presented an edition with a short introduction of ʿAishī Shīrāzī’s ʿIshrat-nāma, a poem belonging to the dah-nāma genre. In this second part I discuss the messengers who convey the messengers between the two lovers. At the request of his patron, ʿInāyat, an amir of the Aq-Quyūnlū Khalīl b. Uzun Ḥasan, instead of the usual messenger, the wind, ʿAishī chose for ten musical instruments. I argue that the choice of these instruments, and the way they are decribed, are not accidental but subtly convey the evolution of the protagonists’ feelings. |
dc.relation.ispartof |
Annali di Ca’ Foscari. Serie orientale |
dc.relation.ispartof |
Vol. 56 | June 2020 |
dc.issued |
2020-06-30 |
dc.identifier.issn |
|
dc.identifier.eissn |
2385-3042 |
dc.rights |
Creative Commons Attribution 4.0 International Public License |
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
dc.identifier.doi |
10.30687/AnnOr/2385-3042/2020/56/008 |
dc.peer-review |
yes |
dc.subject |
Dah-nāma |
dc.subject |
Dah-nāma |
dc.subject |
Mathnawī |
dc.subject |
Mathnawī |
dc.subject |
Messenger motif |
dc.subject |
Messenger motif |
dc.subject |
Musical instruments |
dc.subject |
Musical instruments |
dc.subject |
ʿAishī Shīrāzī |
dc.subject |
ʿAishī Shīrāzī |
dc.subject |
ʿIshrat-nāma |
dc.subject |
ʿIshrat-nāma |
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