Le parole del teatro

Teatro e plurilinguismo

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open access | peer reviewed

Abstract

This volume explores multilingualism in theatre across different periods and literary traditions, with particular attention to Romance languages. The essays examine how linguistic plurality shapes dramatic writing, performance, identity, conflict and intercultural exchange, as well as the challenges it poses for translation. From early modern drama to contemporary theatre, the contributions analyse multilingual and heterolingual practices on the page as well as on stage, focusing on their dramaturgical functions and on strategies for translating linguistic variation across languages, cultures and performance contexts.

Keywords Dramatic monologue • Spanish Republican exile • Interculturality • Liliane Atlan • Translation • Language anxiety • Carmen Conde • Dialects • Documentary theatre • Contemporary theatre • El sillón K • Je m'appelle Non • El traductor de Blumemberg • French-Canadian theatre • Ruzante • Contemporary Spanish theatre • Archival variants • Victor Català • Theatre translation • Comedy • Translational genetic markers • Translation studies • Paula Paz • Plurilingualism • Theatre • Retranslation • Katherine Mansfield • Multilingualism • Mayorga • Infanticide • Onomastics • Orality • Stage translation • Historical memory • Max Aub • Theatrical translation • Catalan literature • Linguistic minorities • Heterolingualism

Permalink http://doi.org/10.30687/979-12-5742-108-3 | e-ISBN 979-12-5742-108-3 | Published Oct. 22, 2026 | Language es, fr, it