Series |
Library of Rassegna iberistica
Edited book | Documentar la realidad
Chapter | Docufiguras de escritor o el auge de los documentales literarios: los 327 cuadernos de Ricardo Piglia
Docufiguras de escritor o el auge de los documentales literarios: los 327 cuadernos de Ricardo Piglia
- Ana Gallego Cuiñas - Universidad de Granada, España - email
Abstract
The objective of this essay is to facilitate a critical discussion of Latin American writer documentaries. The study begins with a definition of author figuration, and of ‘writer documentaries’, to address the types of writer documentaries that exist and their relationship with ‘autotheory’. In the following analysis, the critic examines the manner in which these documentaries influence the public’s perception of the author and the canonization of their oeuvre. For the purpose of this study, the documentary 327 cuadernos, directed by Andrés Di Tella, is employed as a case study. This documentary is about the writer Ricardo Piglia.
Submitted: Nov. 13, 2024 | Accepted: March 18, 2025 | Published Aug. 1, 2025 | Language: es
Keywords Ricardo Piglia • Autotheory • Writer’s Figurations • Literary Documentaries • Andrés Di Tella
Copyright © 2025 Ana Gallego Cuiñas. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/978-88-6969-925-2/014
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| DC Field | Value |
|---|---|
|
dc.identifier |
ECF_chapter_22097 |
|
dc.contributor.author |
Gallego Cuiñas Ana |
|
dc.title |
Docufiguras de escritor o el auge de los documentales literarios: los 327 cuadernos de Ricardo Piglia |
|
dc.type |
Chapter |
|
dc.language.iso |
es |
|
dc.description.abstract |
The objective of this essay is to facilitate a critical discussion of Latin American writer documentaries. The study begins with a definition of author figuration, and of ‘writer documentaries’, to address the types of writer documentaries that exist and their relationship with ‘autotheory’. In the following analysis, the critic examines the manner in which these documentaries influence the public’s perception of the author and the canonization of their oeuvre. For the purpose of this study, the documentary 327 cuadernos, directed by Andrés Di Tella, is employed as a case study. This documentary is about the writer Ricardo Piglia. |
|
dc.relation.ispartof |
Library of Rassegna iberistica |
|
dc.publisher |
Edizioni Ca’ Foscari - Venice University Press, Fondazione Università Ca’ Foscari |
|
dc.issued |
2025-08-01 |
|
dc.dateAccepted |
2025-03-18 |
|
dc.dateSubmitted |
2024-11-13 |
|
dc.identifier.uri |
http://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-925-2/docufiguras-de-escritor-o-el-auge-de-los-documenta/ |
|
dc.identifier.doi |
10.30687/978-88-6969-925-2/014 |
|
dc.identifier.issn |
2610-8844 |
|
dc.identifier.eissn |
2610-9360 |
|
dc.identifier.isbn |
|
|
dc.identifier.eisbn |
978-88-6969-925-2 |
|
dc.rights |
Creative Commons Attribution 4.0 International Public License |
|
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
|
item.fulltext |
with fulltext |
|
item.grantfulltext |
open |
|
dc.peer-review |
yes |
|
dc.subject |
Andrés Di Tella |
|
dc.subject |
Autotheory |
|
dc.subject |
Literary Documentaries |
|
dc.subject |
Ricardo Piglia |
|
dc.subject |
Writer’s Figurations |
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