Documentar la realidad
Cruce de géneros y fronteras en América Latina
open access | peer reviewed-
edited by
- Oswaldo Estrada - email
- Laura Alicino - Ca' Foscari University of Venice - email
Abstract
In the context of the ‘documentary turn’ that has influenced various artistic disciplines since the late twentieth century, this book presents novel insights into the application of the documentary approach in contemporary narrative, poetry, theater, and film. The essays contained in this volume investigate the diverse methodologies employed by contemporary Latin American art in its engagement with reality and the archive, memory and its manifold representations. These essays further propose an updated concept of community that functions as a form of resistance to capitalist individualism, extending beyond the geographical confines of the American continent.
Keywords Documentary poetics • Caribbean poetry • Andrés Di Tella • Latin American contemporary film • Nancy Morejón • Latin American contemporary literatures • El invencible verano de Lililiana • George Floyd • Documentary literature • Gender-based violence • Missing persons • Real • Documental poetry • Darién Forest • Poetry as a visual art • Mexico-US border • Documentary • Affection • Latin American documentary writing • Femicides • Translation • Conceptual poetry • NAKA Dance Theater • Peruvian literature • Decolonial geographies • Documentary writing • Documentary theatre • Testimony • Poetics of the Archive • Critical Mexican Studies • Documentary poetry • Shoah • Journalistic theater • Literary Documentaries • Documental literature • Textual materiality • Disappropriation • Archive • Darien Narratives • Asian-Mexican literature • Autotheory • Coloniality • Migration • Writer’s Figurations • Non-fiction • Fiction • Aguilas • Rocío Quillahuaman • Memory • Gabriela Wiener • Jorge Volpi • Lagartijas tiradas al sol • Latin American contemporary theater • Contemporary documentary theatre • Jürgen Habermas • Colombian and Panamanian literature • Mediation • World War II • Michel Foucault • Poetry • Undocumented migrants • Denisse Español • Latinx theatre • Violence • Documentality • Territory of Difference • True • Poetics of documentality • Racism • Cristina Rivera Garza • Shoah survivors • Documentary turn • Necropolitics • Peru • Horizontal hospitality • Ricardo Piglia • Docufiction • Mexican contemporary poetry • Asian internal refugees • Contestatory discourses • State violence • Mayra Santos-Febres
Thema codes DSM • DSBH5 • ATFA • 1KL
Permalink http://doi.org/10.30687/978-88-6969-925-2 | e-ISBN 978-88-6969-925-2 | Published Aug. 1, 2025 | Language es
Copyright © 2025 Oswaldo Estrada, Laura Alicino. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.