Series | Quaderni di Venezia Arti
Edited book | A Driving Force
Chapter | Introductory remarks
Introductory remarks
Published Forthcoming | Language: en
Copyright © 2023 This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/978-88-6969-771-5/000
- Introductory remarks
- Forthcoming
Self-Definition and Self-Questioning: Image-Making as a Political Tool
-
Image and Imagery in the Age of the Directory (1795-99)
The Political Symbolism of the Revolution between Old and New Horizons - Giacomo Carmagnini
- Dec. 22, 2023
-
Reworking National History
The Representation of Power and its Subsequent Overturning in Relation to Postcolonial Art in Italy - Jacopo De Blasio
- Dec. 22, 2023
Artistic Expression and Political Power in Late Medieval and Renaissance Venice
-
Reflections of Venetian Cittadini Originari
The Zamberti Family: A Case Study - Anna Bernante
- Dec. 22, 2023
-
Beyond the Image of Submission
At the Origin of the Distorted Portrait of the Byzantine Emperor John V Palaiologos (r. 1354-91) in the Latin West - Giulia D'Albenzio
- Dec. 22, 2023
-
Words For/Against Power
Pietro Aretino’s Poetical Devices as Demystification of the Present - Andrea Golfetto
- Dec. 22, 2023
Me, Myself and I: Reframing the Concepts of Identity and Otherness
-
Stay Hungry, Stay Foolish
Deconstructing the Performance of Labour in the Bureau of Melodramatic Research - Fabiola Fiocco
- Dec. 22, 2023
- Gendered Allegories of Power and Warfare: Warrior Women as Personifications in Early Modern Art
- Elisa Stafferini
- Dec. 22, 2023
Art, Patronage, and Prestige: Visual Representations of Power in the Modern Era
-
Protected and Protecting
Dual Relations between the Sapieha Family and the Miraculous Image of Our Lady of Kodeń - Dagmar Vysloužilová
- Dec. 22, 2023
-
An Exercise of Style and Power
Hans Holbein the Younger and the Painted Facade of the Hertenstein House in Lucerne (1517) - Sandes Dindar
- Dec. 22, 2023
Your Gaze Hits the Side of My Face: On the Image as Social Response and Counterculture
- Countercultural Images and Technological Visions in the Italian Alternative Press Around 1977
- Sara Molho
- Dec. 22, 2023
- The Power of Contemporary Chinese Photography: Capturing Moments, Shaping Perspectives
- Fu Sen
- Dec. 22, 2023
Unveiling Perception: Altered Reality Through Surveillance and AI Imagery
-
Countersurveillance Aesthetic
Resistance Through Wearable Technologies - Irene Calvi
- Dec. 22, 2023
- Poor Power Images in the Work of Hito Steyerl
- Jolanda Wessel
- Dec. 22, 2023
Symbolism and Identity in Ancient Societies: Negotiating Power Through Material Culture
-
The Power of Statues in Byzantium
The Wooden Effigy of Saint George in Omorfokklisia as a Talismanic Device - Elena De Zordi
- Dec. 22, 2023
Crossing Boundaries: Exploring Interdisciplinary Practices and Moving Images
- The Object Looks Back: Paraesthetic Vision in Portrait de la jeune fille en feu and Optic Nerve
- Mansi Tiwari
- Dec. 22, 2023
-
Unseen Memories
Exploring Imagery in Jeremy Deller’s We’re Here Because We’re Here and the 14-18 NOW Project - Angelica Bertoli
- Dec. 22, 2023
Cultural Institutions and Power: On the Relationship Between Museums and Politics
-
The Rise of the Sursock Museum
The Power of the Image to Create an Image of Power - Ashraf Osman
- Dec. 22, 2023
-
‘Il cappellino all’ultima moda’
The Impossible Exhibition of the Peggy Guggenheim Collection in Turin - Maria Novella Tavano
- Dec. 22, 2023
Let Me Be Your Eyes: Investigations into the Phenomenology of Control
- Aby Warburg and the Political Iconography of Fascism: An Analysis of Symbols of Power
- Margherita Piccichè
- Dec. 22, 2023
-
Shifting Roles
The Imperial Folk Arts and Crafts Revival’s Narratives at the Second All-Russian Kustar’ Exhibition (1913) - Giulia Gelmi
- Dec. 22, 2023
| DC Field | Value |
|---|---|
|
dc.identifier |
ECF_chapter_19558 |
|
dc.title |
Introductory remarks |
|
dc.type |
Chapter |
|
dc.language.iso |
en |
|
dc.relation.ispartof |
Quaderni di Venezia Arti |
|
dc.publisher |
Edizioni Ca’ Foscari - Venice University Press, Fondazione Università Ca’ Foscari |
|
dc.issued |
2023-12-22 |
|
dc.identifier.uri |
http://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-771-5/introductory-remarks/ |
|
dc.identifier.doi |
10.30687/978-88-6969-771-5/000 |
|
dc.identifier.eissn |
2784-8868 |
|
dc.identifier.isbn |
|
|
dc.identifier.eisbn |
978-88-6969-771-5 |
|
dc.rights |
Creative Commons Attribution 4.0 International Public License |
|
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
|
item.fulltext |
with fulltext |
|
item.grantfulltext |
open |
|
dc.peer-review |
yes |
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