Series | Quaderni di Venezia Arti
Edited book | A Driving Force
Chapter | Gendered Allegories of Power and Warfare: Warrior Women as Personifications in Early Modern Art
Abstract
This article investigates the reinterpretation of warlike geographical personifications during the early modern period, focusing on sixteenth-century Italian painting. It analyses, through case studies, the ancient origin of these predominantly feminine allegories, the circumstances in which they appeared in painting and the role played by warfare in their proliferation. Additionally, the study investigates the gender dynamics involved, emphasizing how the visual portrayal of cities, countries, and republics as women positioned them metaphorically as mothers, lovers, wives, or maidens within rhetorical discourses and propagandistic imagery.
Submitted: Sept. 17, 2023 | Accepted: Oct. 30, 2023 | Published Dec. 22, 2023 | Language: en
Keywords Geographical personifications • Allegory • Iconography • Gendered bodies • Warfare • Sixteenth-century Italian art • Politics
Copyright © 2023 Elisa Stafferini. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/978-88-6969-771-5/007
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DC Field | Value |
---|---|
dc.identifier |
ECF_chapter_19235 |
dc.contributor.author |
Stafferini Elisa |
dc.title |
Gendered Allegories of Power and Warfare: Warrior Women as Personifications in Early Modern Art |
dc.type |
Chapter |
dc.language.iso |
en |
dc.description.abstract |
This article investigates the reinterpretation of warlike geographical personifications during the early modern period, focusing on sixteenth-century Italian painting. It analyses, through case studies, the ancient origin of these predominantly feminine allegories, the circumstances in which they appeared in painting and the role played by warfare in their proliferation. Additionally, the study investigates the gender dynamics involved, emphasizing how the visual portrayal of cities, countries, and republics as women positioned them metaphorically as mothers, lovers, wives, or maidens within rhetorical discourses and propagandistic imagery. |
dc.relation.ispartof |
Quaderni di Venezia Arti |
dc.publisher |
Edizioni Ca’ Foscari - Venice University Press, Fondazione Università Ca’ Foscari |
dc.issued |
2023-12-22 |
dc.dateAccepted |
2023-10-30 |
dc.dateSubmitted |
2023-09-17 |
dc.identifier.uri |
http://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-771-5/gendered-allegories-of-power-and-warfare-warrior-w/ |
dc.identifier.doi |
10.30687/978-88-6969-771-5/007 |
dc.identifier.eissn |
2784-8868 |
dc.identifier.isbn |
|
dc.identifier.eisbn |
978-88-6969-771-5 |
dc.rights |
Creative Commons Attribution 4.0 International Public License |
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
item.fulltext |
with fulltext |
item.grantfulltext |
open |
dc.peer-review |
yes |
dc.subject |
Allegory |
dc.subject |
Gendered bodies |
dc.subject |
Geographical personifications |
dc.subject |
Iconography |
dc.subject |
Politics |
dc.subject |
Sixteenth-century Italian art |
dc.subject |
Warfare |
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