Il mito degli Atridi dal teatro antico all’epoca contemporanea
open access | peer reviewed-
edited by
- Laura Carrara - Università di Pisa, Italia - email orcid profile
- Rolando Ferri - Università di Pisa, Italia - email
- Enrico Medda - Università di Pisa, Italia - email orcid profile
Abstract
The volume collects the proceedings of the International Conference The Myth of the Atreidai from Ancient Theatre to Contemporary Times, held in Pisa on 26-27 May 2022, at the conclusion of a Research Project financed by the University of Pisa and coordinated by Prof. Enrico Medda. The papers presented here aim to investigate various aspects of a myth that had an immense fortune in antiquity and profoundly influenced art and literature throughout Western culture. The subject is approached from a number of different perspectives and methods (textual-critical study of ancient texts, historical-anthropological research on issues posed by the myth, dramaturgical analysis of plays, and study of their reception in modern authors). Without aspiring to deal comprehensively with such a broad topic, the authors have concentrated on peculiar aspects that have been less investigated up to now, and on modern authors for whom there is still much to say about their relationship with ancient myth. The contributions range, for the ancient part, from mythographers to Greek tragedy and comedy (with particular attention to fragments of lost works), up to Roman tragedy and comedy; for the modern part, the investigations concern authors from Italian, English and German literature: Alfieri, D’Annunzio, Pirandello, Saba, Pasolini, Testori, E. Pfeiffer, G. Hauptmann.
Keywords Pherekydes • Greek • 20th century • Iphigenia • Chryses • Feminism • Greek comic fragments • Parody • Alfieri • Gerhart Hauptmann • Greek mythography • Tragedy • World War II • Rewritings • Homer • Akousilaos • Clytaemnestra • Poetry and theatre • Greek religion • Atriden • Greek tragedy • Rewriting of Classical Myth • Agamemnon • Echepolos • Atreids • Nazism • Orestes • Fragments • Landscape • Thyestes • Electra • Victorian Age • Aristophanes • Pacuvius • Euripides • Cassandra • Kimon • Modern productions of Greek tragedy • Blood • Myth • Kinship • Identity
Permalink http://doi.org/10.30687/978-88-6969-709-8 | e-ISBN 978-88-6969-709-8 | ISBN (PRINT) 978-88-6969-736-4 | Number of pages 214 | Dimensions 16x23cm | Published July 7, 2023 | Language en, it
Copyright © 2023 Laura Carrara, Rolando Ferri, Enrico Medda. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
- Introduzione
- July 7, 2023
- Envisaging the Past Behind Aeschylus’ Agamemnon
- July 7, 2023
- The Atreidai and the Early Mythographers
- July 7, 2023
- Oreste nelle tragedie greche frammentarie
- July 7, 2023
- Oreste nella tragedia latina arcaica
- July 7, 2023
- Oreste di Alfieri e la redenzione impossibile
- July 7, 2023
- Sguardi novecenteschi sul mito di Oreste
- July 7, 2023
- Gli Atridi di Gerhart Hauptmann
- July 7, 2023