Series | Ca’ Foscari Japanese Studies
Volume 19 | Edited book | Images from the Past: Intertextuality in Japanese Premodern Literature
Images from the Past: Intertextuality in Japanese Premodern Literature
open access | peer reviewed-
edited by
- Carolina Negri - Università Ca’ Foscari Venezia, Italia - email orcid profile
- Pier Carlo Tommasi - University of Hawaiʻi at Mānoa, USA - email orcid profile
Abstract
This volume brings together scholars from different backgrounds and career stages to rethink the role and scope of intertextuality in the context of premodern Japan. From antiquity to the rise of modernity, originality through repetition persists as a staple in the literary, performative, and artistic traditions of this country. Nonetheless, rather than slavish recycling of pre-existing tropes, the redeployment of familiar motifs by patterns of borrowing, allusion, and imitation would become a means to explore untrodden creative pathways and craft a shared sense of cultural belonging. Stemming from an international symposium hosted at Ca’ Foscari University of Venice in 2021 with the generous support of The Japan Foundation, the papers in this collection offer a thoughtful contribution to this debate by engaging texts from different historical periods, media, and genres – be it poetic, narrative, theatrical, visual, or religious. Although intertextuality may not be a new topic, the essays that follow attest to the enduring appeal of a concept whose explanatory power proves most effective when combined with other methods of inquiry, such as discourse analysis, social sciences, gender studies, and material culture. Thus, while opening new windows onto Japan’s literary worlds, these cross-disciplinary approaches provide further insights into the uses (and abuses) of the past in a non-Western non-modern society.
Keywords Court Diary • Tsuruya Nanboku IV • Japanese poetry • Nihon ryōiki • Layers of narration in intertextuality • Religion • Utatane • Roland Barthes • Nun Abutsu • Katsura Bunji I • Baba Bunkō • San’yūtei Enchō • Morishima Chūryō • Re-interpretation • Shinkokinshū • Kokin wakashū • Sharebon • Kana literature • Temporality • Gender dynamics • Yomihon • Genji monogatari • Inner scriptures • Premodern Japanese literature • Commentaries • Female enlightenment • Ki no Tsurayuki, Kagerō nikki • Ise monogatari • Zen • Book indexes • Sarayashiki • Fujiwara no Shunzei (Toshinari) • Fantastic literature • Fujiwara no Teika (Sadaie) • Mythologies • Metatextuality • Sūtras • Classical Chinese literature • Waka • Text • Chinese novels • Intertextuality • Kawara-no-in • Dōgen • Outer writings • Edo literature • Sarashina nikki • Buddhism • Nō theatre • Kabuki
Permalink http://doi.org/10.30687/978-88-6969-608-4 | e-ISBN 978-88-6969-608-4 | ISBN (PRINT) 978-88-6969-609-1 | Published Aug. 30, 2022 | Language en
Copyright © 2022 Carolina Negri, Pier Carlo Tommasi. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
