Series |
Quaderni di Venezia Arti
Edited book | Behind the Image, Beyond the Image
Chapter | Introductory Remarks
Introductory Remarks
Published May 13, 2022 | Language: it
Copyright © 2022 This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/978-88-6969-588-9/000
- Introductory Remarks
- May 13, 2022
Behind / Beyond Dimension
-
Translating Architecture into Images
Problematics of Architecture on Display - Arianna Casarini
- May 13, 2022
-
L’immagine del progetto di allestimento nell’Italia degli anni Cinquanta e Sessanta
Dallo schizzo concettuale all’opera realizzata - Andrea Nalesso
- May 13, 2022
Behind / Beyond the Stage
- Visioni tra teatro e cinema: due sguardi che re-immaginano La signorina Julie di Strindberg
- Monica Garavello
- May 13, 2022
- The Production of Modest Musorgsky’s Opera Khovanshchina at La Scala (1933) as an Attempt to Reconstruct the Authentic Image of an Artwork
- Vasilisa Aleksandrova
- May 13, 2022
Behind / Beyond Public Space
- The Most Radical Exposure. Displaying Photography in Public Space
- Daniel Borselli
- May 13, 2022
- Appunti di iconoclastia contemporanea: la distruzione delle immagini per la creazione di nuovi immaginari
- Yasmin Riyahi
- May 13, 2022
-
Land art e paesaggio entropico
Immagine come innovazione estetica - Raul Armando Amoros Hormazabal
- May 13, 2022
- La scultura monumentale del XX secolo: il caso studio di Francesco Somaini
- Sara Esposito
- May 13, 2022
Behind / Beyond Politics
- «Sua Maestà lascia a Vostra Eminenza l’ordinare l’historia e figure che stimerà più a proposito». I Barberini e doni diplomatici ai reali inglesi nel Seicento
- Flaminia Ferlito
- May 13, 2022
- L’iconografia del san Sebastiano a Bologna tra XV e XVI secolo
- Alessandro Serrani
- May 13, 2022
- The Metaphor of the duo luminaria and Its Political Impact in the De potestate regia et papali of John of Paris
- Tara Arrouet
- May 13, 2022
Behind / Beyond Madness
- Образ юродивого в русской агиографической традиции и проблема визуального
- Nadezhda Gayevskaya
- May 13, 2022
Behind / Beyond Meditation
- ‘Dopo’ l’immagine. Aspetti della pittura di ricordi a Roma nel Seicento
- Elisa Martini
- May 13, 2022
-
Il sonno della Storia produce miti
Il Seicento e le origini della xilografia - Lorenzo Gigante
- May 13, 2022
- Liu Yonggang and the Images of Chinese Calligraphy
- Veronica Di Geronimo
- May 13, 2022
-
San Francesco Solano il ‘Taumaturgo del Nuovo Mondo’
Uno studio iconologico a partire da un paliotto a scagliola in Santa Maria in Aracoeli - Claudio Sagliocco
- May 13, 2022
Behind / Beyond Memory
-
Il disegno come memoria visiva
Il caso di Pier Francesco Mazzucchelli detto il Morazzone (1573-1626?) - Ettore Giovanati
- May 13, 2022
-
Two Diaries of 1962: Robert Сraft – Xenia Stravinsky
Memorial Literature as a Historiographical Source of Igor Stravinsky’s Portrait - Anastasia Kozachenko-Stravinsky
- May 13, 2022
Behind / Beyond the Idea
-
“A past which has never been”. Unveiling Merleau-Ponty’s Accountability of the Mythological Heritage of Perception
A Modern nekyia? - Riccardo Valenti
- May 13, 2022
-
Immaginare il tempo
Il rapporto tra tempo e immagine nel concetto di ‘immagine di un’epoca’ - Marco Cavazza
- May 13, 2022
-
Gnòthi seautòn, esercizi d’illusione
Le Xerox Actions di Hudinilson Jr. allo specchio del mito - Simone Rossi
- May 13, 2022
Behind / Beyond the Iron Curtain
- The Image of Sport in Soviet Animation of 1969-91
- Anastasia Batarina
- May 13, 2022
-
Yuri Pimenov’s Portrait of Architect Burov
The Image of the Era - Elena Voronovich
- May 13, 2022
-
Soviet Criticism on ‘Contemporary Western Bourgeois Art’
Controversy and Satire at the Time of Khrushchev’s Artistic Thaw - Giovanni Argan
- May 13, 2022
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| DC Field | Value |
|---|---|
|
dc.identifier |
ECF_chapter_9005 |
|
dc.title |
Introductory Remarks |
|
dc.type |
Chapter |
|
dc.language.iso |
it |
|
dc.relation.ispartof |
Quaderni di Venezia Arti |
|
dc.publisher |
Edizioni Ca’ Foscari - Venice University Press, Fondazione Università Ca’ Foscari |
|
dc.issued |
2022-05-13 |
|
dc.identifier.uri |
http://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-589-6/introductory-remarks/ |
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dc.identifier.doi |
10.30687/978-88-6969-588-9/000 |
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dc.identifier.eissn |
2784-8868 |
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dc.identifier.isbn |
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dc.identifier.eisbn |
978-88-6969-588-9 |
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dc.rights |
Creative Commons Attribution 4.0 International Public License |
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dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
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item.fulltext |
with fulltext |
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item.grantfulltext |
open |
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no |
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