Series |
Eurasian Studies
Volume 16 | Edited book | Armenian Art. Critical History and New Perspectives
Abstract
Keywords Armenian prehistory • Khachkar • Research • Alexey Lidov • Caucasus • Armenian history • Armenian-Georgian architectural relationship • Destruction • Medieval Armenian art and Soviet Union • Early Modern Armenian Studies • Preservation • Varazdat Harutyunyan • Nakhchivan • Anatolia • Architecture • Silverwork • Icons • Megalithic art • Monumentality • Aleksej Nekrasov • Adriano Alpago Novello • Armenian-Islamic ‘syncretism’ • Photography • Heritage • History of art • Replica • Historiography • Illustrated manuscripts • Mikhail Babentchikov • Study trips • CSDCA Centro Studi e Documentazione sulla Cultura • Repatriation movement • Romania • Milan Polytechnic University • Textiles • Armenian architecture • Bronze Age archaeology • Dragon-stones • Iran • Julfa • Cultural Ecology • Medieval architecture • Nikolay Brunov • Yovnatʽanean family • Seljuk and Ilkhanid architecture • Etchmiadzin cathedral • Armenian art • Armenia • CSDCA - Centro Studi e Documentazione Cultura Arme • Middle Ages • Armenian-Georgian cultural ties • Cross-stones • South Caucasus archaeology • Medieval art • Historiograhy • Wall paintings
Permalink http://doi.org/10.30687/978-88-6969-469-1 | e-ISBN 978-88-6969-469-1 | ISBN (PRINT) 978-88-6969-495-0 | Published Dec. 21, 2020 | Language en, it
Copyright © 2020 Aldo Ferrari, Stefano Riccioni, Marco Ruffilli, Beatrice Spampinato. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.