Series | Eurasian Studies
Edited book | Borders
Chapter | Crossing Borders
Abstract
Some of the typical features of the Iranian landscape are described, together with the ways in which the author came across them on his many journeys in Iran. The presence of the same features in other countries is then described as evidence of the universal nature of some elements of the Iranian landscape which, in this sense, extends outside the current borders. This theory is supported by 50 photos taken in Iran and in other parts of the world. The individual chapters in the article are prefaced by lines from the poetry of Mirzā ‘Abdo ’l-Qāder Bidel (1644-1720), meant as an introduction to and evocation of the topics addressed.
Language: en
Keywords Photography • Iran • Bidel • Landscape
Copyright © 2016 Riccardo Zipoli. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.14277/978-88-6969-100-3/015
Introduction
0 Crossings
1 A Marchland of Words
2 Inspecting Perimeters
3 Iconography on a Threshold
4 Lines of Transition
5 On the Limes
6 Identity and the Others
7 Mirrors and Beyond
DC Field | Value |
---|---|
dc.identifier |
ECF_chapter_54 |
dc.contributor.author |
Zipoli Riccardo |
dc.title |
Crossing Borders. Iranian Landscapes as Visual Prototypes around the World |
dc.type |
Chapter |
dc.language.iso |
en |
dc.description.abstract |
Some of the typical features of the Iranian landscape are described, together with the ways in which the author came across them on his many journeys in Iran. The presence of the same features in other countries is then described as evidence of the universal nature of some elements of the Iranian landscape which, in this sense, extends outside the current borders. This theory is supported by 50 photos taken in Iran and in other parts of the world. The individual chapters in the article are prefaced by lines from the poetry of Mirzā ‘Abdo ’l-Qāder Bidel (1644-1720), meant as an introduction to and evocation of the topics addressed. |
dc.relation.ispartof |
Eurasian Studies |
dc.publisher |
Edizioni Ca’ Foscari - Digital Publishing |
dc.issued |
2016-08-03 |
dc.identifier.uri |
http://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-101-0/crossing-borders/ |
dc.identifier.doi |
10.14277/978-88-6969-100-3/015 |
dc.identifier.issn |
2610-8879 |
dc.identifier.eissn |
2610-9433 |
dc.identifier.isbn |
978-88-6969-101-0 |
dc.identifier.eisbn |
978-88-6969-100-3 |
dc.rights |
Creative Commons Attribution 4.0 International Public License |
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
item.fulltext |
with fulltext |
item.grantfulltext |
open |
dc.peer-review |
yes |
dc.subject |
Bidel |
dc.subject |
Bidel |
dc.subject |
Iran |
dc.subject |
Iran |
dc.subject |
Landscape |
dc.subject |
Landscape |
dc.subject |
Photography |
dc.subject |
Photography |
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