Journal |
MDCCC 1800
Monographic journal issue | 6 | 2017
6 | 2017
open access | peer reviewed
Keywords Decorative arts • Expositions Universelles • Heritage • Industrial arts • Exhibition • Emilio Longoni • Russian fine art • Russian painters in America • World Fairs • Photography • Weltausstellung • Khedive Ismail • Islamic Art • Eclecticism • Como • Art Exhibition • Landscape painting • Alessandro Volta • Mosaic • World’s Fair • Display • Adolfo Hohenstein • Glasswork • Colonialism • Art nouveau • Simbolism • World’s Columbian Exposition • Carlo Ceppi • American Artists • Costantino Gilodi • American Art • Antonio Salviati • Ottoman Empire • Giacomo Salvadori • Persia • Imperial Fine Arts Academy • Zaragoza • Exposition Universelle • Surrealism • Paris 1867 • Cosmopolitanism • Peredvizhniki • Eugenio Linati • Paris • Commission of monuments • Fin-de-siècle • Egypt • Lombardy • Divisionismo • Liberty • Murano • Ottoman Turkey • Vienna • Avant-garde Exhibitions
Permalink http://doi.org/10.14277/2280-8841/MDCCC-6-17 | Published July 31, 2017 | Language it, en
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Introduction
- Introduction
- July 31, 2017
Arts on Display. The 19th Century International Expositions
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From the Rue des Nations to the Rue aux Lèvres
The 1938 International Surrealist Exhibition Parody of the 1889 and 1900 World Fair Cityscapes - July 31, 2017
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Masterpieces of Lightness and Grace
Murano glass at the Universal Exhibitions in Paris - July 31, 2017
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Displays of Islamic Art in Vienna and Paris
Imperial Politics and Exoticism at the Weltausstellung and Exposition Universelle - July 31, 2017
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Art, Celebration and Progress
Como and the Volta’s Exposition of 1899 - July 31, 2017
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Turin 1898-Paris 1900
Carlo Ceppi, Costantino Gilodi e Giacomo Salvadori between Tradition and Innovation - July 31, 2017
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Lesson Learned
American Art at the Paris World’s Fair of 1867 - July 31, 2017
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Russian Fine Arts Section at the World’s Columbian Exposition 1893
Notes on Organization and Reception - July 31, 2017
