Journal |
English Literature
Journal issue | 4 | 2017
Passions, Emotions and Cognition in the Long Eighteenth-Century Literature in England
open access | peer reviewed-
edited by
- Flavio Gregori - Università Ca’ Foscari Venezia, Italia - email orcid profile
The eighteenth century is commonly considered as the "age of reason".However, in the course of that century philosopher, writers, scientists, theologians, etc. showed an increasing interest in human passions and emotions that, as the newspaper The Spectator wrote, became "the light of the soul". "Without passion, continued The Spectator, you are but a blind man". David Hume even admitted that reason is the "slave of passions". Therefore, the eighteenth century decided to investigate the role of passions and emotions in various fields, from philosophy to medicine to the arts, and no longer, as happened in previous ages, by trying to harness them within a moral schematism but understanding how they affect and direct our knowledge and beliefs. The present issue of English Literature analyses the various ways in which English literature translated the eigheenth century's interest for passions and emotions, both as opposite and competing forms of knowledge (mind vs the senses, soul vs body, head vs heart, etc.) and as interactive capacities of man as a whole.
Keywords Passions • Propaganda • Probability • Genre • Arbuthnot • Robinson Crusoe • Tory • Epistemology • Suspense • Understanding • Hypothetical thinking • Sermons • Abergavenny • Emotion • Whig • Imagination • Eighteenth-century poetry • Representation of the soul • Acting • The Examiner • Tillotson • Latitudinarianism • Pope • Seventeenth-century theatre • Scepticism • Actual • Cognition • Swift • Narrative • Poetry • Virtual • Curiosity • Scriblerus Club • Eighteenth-century Rhetoric • Scandal
Permalink http://doi.org/10.30687/EL/2420-823X/2017/05 | Published Dec. 18, 2017 | Language it
Copyright © Flavio Gregori. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Table of Contents
-
Aesthetic Cognition
Feeling the Emotions of Others - Michael Mckeon
- Dec. 18, 2017
-
The Actor, the Mirror, the Soul and the Sylph
Finding the Passions - Margaret A. Doody
- Dec. 18, 2017
- The Rhetoric of Passions in John Tillotson's Sermons
- Regina Maria Dal Santo
- Dec. 18, 2017
-
Scriblerian Cognition
Pope, Swift, Arbuthnot and Self-Knowledge - Judith Hawley
- Dec. 18, 2017
-
The Hurry and Uproar of Their Passions
Images of the Early 18th-Century Whig - Katarzyna Kozak
- Dec. 18, 2017
-
Fears, Apprehensions and Conjectures
Suspense in Robinson Crusoe - Riccardo Capoferro
- Dec. 18, 2017
-
“So Shall She Now the Softest Coulours Chuse/To Paint thy Fate & Shadow out thy Woes”
Poetry and Emotion in the Abergavenny Scandal of 1729 - Lucia Quinault
- Dec. 18, 2017
| DC Field | Value |
|---|---|
|
dc.identifier |
ECF_issue_82 |
|
dc.title |
Vol. 4 | December 2017 |
|
dc.publisher |
Edizioni Ca’ Foscari - Digital Publishing |
|
dc.type |
Journal issue |
|
dc.language.iso |
En |
|
dc.identifier.uri |
http://edizionicafoscari.it/en/edizioni4/riviste/english-literature/2017/1/ |
|
dc.description.abstract |
The eighteenth century is commonly considered as the "age of reason".However, in the course of that century philosopher, writers, scientists, theologians, etc. showed an increasing interest in human passions and emotions that, as the newspaper The Spectator wrote, became "the light of the soul". "Without passion, continued The Spectator, you are but a blind man". David Hume even admitted that reason is the "slave of passions". Therefore, the eighteenth century decided to investigate the role of passions and emotions in various fields, from philosophy to medicine to the arts, and no longer, as happened in previous ages, by trying to harness them within a moral schematism but understanding how they affect and direct our knowledge and beliefs. The present issue of English Literature analyses the various ways in which English literature translated the eigheenth century's interest for passions and emotions, both as opposite and competing forms of knowledge (mind vs the senses, soul vs body, head vs heart, etc.) and as interactive capacities of man as a whole. |
|
dc.relation.ispartof |
English Literature |
|
dc.issued |
2017-12-18 |
|
dc.identifier.issn |
|
|
dc.identifier.eissn |
2420-823X |
|
dc.rights |
Creative Commons Attribution 4.0 International Public License |
|
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
|
dc.identifier.doi |
10.30687/EL/2420-823X/2017/05 |
|
dc.peer-review |
yes |
|
dc.subject |
Abergavenny |
|
dc.subject |
Abergavenny |
|
dc.subject |
Acting |
|
dc.subject |
Acting |
|
dc.subject |
Actual |
|
dc.subject |
Actual |
|
dc.subject |
Arbuthnot |
|
dc.subject |
Arbuthnot |
|
dc.subject |
Cognition |
|
dc.subject |
Cognition |
|
dc.subject |
Curiosity |
|
dc.subject |
Curiosity |
|
dc.subject |
Eighteenth-century Rhetoric |
|
dc.subject |
Eighteenth-century Rhetoric |
|
dc.subject |
Eighteenth-century poetry |
|
dc.subject |
Eighteenth-century poetry |
|
dc.subject |
Emotion |
|
dc.subject |
Emotion |
|
dc.subject |
Epistemology |
|
dc.subject |
Epistemology |
|
dc.subject |
Genre |
|
dc.subject |
Genre |
|
dc.subject |
Hypothetical thinking |
|
dc.subject |
Hypothetical thinking |
|
dc.subject |
Imagination |
|
dc.subject |
Imagination |
|
dc.subject |
Latitudinarianism |
|
dc.subject |
Latitudinarianism |
|
dc.subject |
Narrative |
|
dc.subject |
Narrative |
|
dc.subject |
Passions |
|
dc.subject |
Passions |
|
dc.subject |
Passions |
|
dc.subject |
Passions |
|
dc.subject |
Passions |
|
dc.subject |
Passions |
|
dc.subject |
Poetry |
|
dc.subject |
Poetry |
|
dc.subject |
Pope |
|
dc.subject |
Pope |
|
dc.subject |
Probability |
|
dc.subject |
Probability |
|
dc.subject |
Propaganda |
|
dc.subject |
Propaganda |
|
dc.subject |
Representation of the soul |
|
dc.subject |
Representation of the soul |
|
dc.subject |
Robinson Crusoe |
|
dc.subject |
Robinson Crusoe |
|
dc.subject |
Scandal |
|
dc.subject |
Scandal |
|
dc.subject |
Scepticism |
|
dc.subject |
Scepticism |
|
dc.subject |
Scriblerus Club |
|
dc.subject |
Scriblerus Club |
|
dc.subject |
Sermons |
|
dc.subject |
Sermons |
|
dc.subject |
Seventeenth-century theatre |
|
dc.subject |
Seventeenth-century theatre |
|
dc.subject |
Suspense |
|
dc.subject |
Suspense |
|
dc.subject |
Swift |
|
dc.subject |
Swift |
|
dc.subject |
The Examiner |
|
dc.subject |
The Examiner |
|
dc.subject |
Tillotson |
|
dc.subject |
Tillotson |
|
dc.subject |
Tory |
|
dc.subject |
Tory |
|
dc.subject |
Understanding |
|
dc.subject |
Understanding |
|
dc.subject |
Virtual |
|
dc.subject |
Virtual |
|
dc.subject |
Whig |
|
dc.subject |
Whig |