Originals and copies in the Letter of Filippo Baldinucci to…

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DC Field	Value
dc.identifier	ECF_article_6653
dc.title	Originals and copies in the Letter of Filippo Baldinucci to Vincenzo Capponi
dc.contributor.author	Fumagalli Elena
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing, Fondazione Università Ca’ Foscari
dc.type	Research Article
dc.language.iso	it
dc.identifier.uri	http://edizionicafoscari.it/en/edizioni4/riviste/venezia-arti/2021/1/originali-e-copie-nella-lettera-di-filippo-baldinu/
dc.description.abstract	This contribution aims to analyse Filippo Baldinucci’s Letter to Vincenzo Capponi (Rome, 1681) in all its aspects, particularly its concept of original and copy, taking into account Baldinucci’s position in the Accademia del Disegno and in the Roman cultural milieu. Through some examples, the essay also intends to assess the Letter vis-à-vis the correspondence between the Medici agents in Venice and the court, in order to emphasise the relation between the artistic literature on copies and the practical experience of the individuals who had to secure paintings for demanding collectors such as prince Leopoldo de’ Medici.
dc.relation.ispartof	Venezia Arti
dc.relation.ispartof	Vol. 30 \| December 2021
dc.issued	2021-12-21
dc.dateAccepted	2021-07-28
dc.dateSubmitted	2021-06-23
dc.identifier.issn
dc.identifier.eissn	2385-2720
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
dc.identifier.doi	10.30687/VA/2385-2720/2021/07/001
dc.peer-review	yes
dc.subject	Copy
dc.subject	Copy
dc.subject	Filippo Baldinucci
dc.subject	Filippo Baldinucci
dc.subject	History of collecting
dc.subject	History of collecting
dc.subject	Medici’s dynasty
dc.subject	Medici’s dynasty
dc.subject	Original
dc.subject	Original

Research Article
open access peer reviewed

Originals and copies in the Letter of Filippo Baldinucci to Vincenzo Capponi

Elena Fumagalli Università degli Studi di Modena e Reggio Emilia, Italia

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abstract

This contribution aims to analyse Filippo Baldinucci’s Letter to Vincenzo Capponi (Rome, 1681) in all its aspects, particularly its concept of original and copy, taking into account Baldinucci’s position in the Accademia del Disegno and in the Roman cultural milieu. Through some examples, the essay also intends to assess the Letter vis-à-vis the correspondence between the Medici agents in Venice and the court, in order to emphasise the relation between the artistic literature on copies and the practical experience of the individuals who had to secure paintings for demanding collectors such as prince Leopoldo de’ Medici.

Published

Dec. 21, 2021

Accepted

July 28, 2021

Submitted

June 23, 2021

Language

Keywords: Filippo Baldinucci • Original • History of collecting • Medici’s dynasty • Copy

permalink http://doi.org/10.30687/VA/2385-2720/2021/07/001

Copyright: © 2021 Elena Fumagalli. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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