Journal | JoLMA
Journal issue | 5 | 1 | 2024
The Art of Mapping Between Land and Mind
open access | peer reviewed-
edited by
- Francesco Ragazzi - Università Ca’ Foscari Venezia, Italia; Paris 1 Panthéon-Sorbonne, France - email
In the creation of maps, scientific knowledge related to mathematics and physics combines with knowledge specific to graphic or artistic disciplines. Since all maps are artifacts whose aesthetic qualities convey information that simultaneously engages the fields of ontology, epistemology, and politics, they are objects of undeniable interest for philosophical inquiry. Following what has been termed “the cartographic turn in social sciences”, The Art of Mapping Between Land and Mind delves into two intertwining issues. On one side, it examines how the aesthetic properties of maps convey cognitive, cultural, and political meanings. On the other, it explores the role of visual arts in reflecting on cartographic thought, shaping both its methods and motivations. The volume is divided into four sections. Embracing the point of view of both the philosopher and the geographer, the first one sheds light on the relationship between epistemology and cartography (Kukla; Costantini; Tanney). The second addresses mapmaking as an art form (Tanca; Haugdal) or, conversely, considers maps from the perspective of their aesthetic properties (Török; Ogundiwin; Elhaik). The third focuses on the digital condition of today’s cartography (Tschochohei; Quaranta; Keller). Finally, the last section includes two contributions that represent attempts to guide cartography toward its future (Bosca; Ianniello). Opening this issue, a special essay by Elizabeth Povinelli offers a generous précis of her upcoming book.
Keywords Climate-change • Symbolic Representation • Cartographic Styles • Maps • Philosophy • Transcendental illusion • Sea • Epistemic Risk • Walter Benjamin • Digitalisation • Logic • Indigenous cartography • Palimpsest • System • Scopic regime • Mind • Ryle • Territory • Iconology • Mapping • Digital • Conceptual analysis • Allegory • Topographic mapping • Aesthetics in Science • Surveillance technologies • Worlding • Contemporary art • Geographic Information Systems • Race • Blank spot • Sound • Mapping processes • Nelson Goodman • Marine ecology • Physical Geography • Geography • Symbol • Sámi Art • Yorùbáland • Geontopower • Epistemology • Conceptual cartography • Strait • Systematic ambiguity • Representational Risk • Clouds • Map • Hyperobjects • Hans Ragnar Mathisen • Settler Colonialism • Biston betularia carbonaria • Art • Michel Serres • Libyan Desert • Eco-dystopia • Ecology • Fluidity • Immanuel Kant • Machine gaze • Vertical perspective • Cetaceans • Counter-mapping • Spatiality • Drone photography • Recording • Semiotics • Italian colonial cartography • Cartography • Category-mistake • Monsters • Ocean • Geographic ontology
Permalink http://doi.org/10.30687/Jolma/2723-9640/2024/01 | Published July 26, 2024 | Language en
Copyright © Francesco Ragazzi. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
