Journal | Rassegna iberistica
Journal issue | 40 | 108 | 2017
Research Article | El color del camaleón
El color del camaleón
A Bold Witness for the Chilean Society
- Valentina Ripa - Università degli Studi di Salerno - email
Abstract
The film El color del camaleón (2017) by Andrés Lübbert, which has great cinematic and content merits, can be considered as an important part of Chilean films on memory and post-memory. I focus on its contribution to Chilean memory and the reconstruction of the truth through the unveiling, in particular, of cruel methods of forced recruitment used by the dictatorship’s secret services. They were used as a further tool to instill terror in society, and as a way of submission and control of the population.
Submitted: Oct. 4, 2017 | Published Dec. 13, 2017 | Language: es
Keywords Postmemory • Documentary cinema • Memory • The grey zone • Chilean dictatorship
Copyright © 2017 Valentina Ripa. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.14277/2037-6588/Ri-40-108-17-10
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Reviews
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- Arlt, Roberto et al. (2015). Fuera de la ley. 20 cuentos policiales argentinos (1910-1940). Compilado por Román Setton. Buenos Aires: Adriana Hidalgo, pp. 368
- Hernán Maltz
- Dec. 13, 2017
- Pasciolla, Francesca (2016). Walt Whitman in Fernando Pessoa. London: Critical, Cultural and Communications Press, pp. 131
- Bernard McGuirk
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- March, Enric H. (2017). Barcelona, ciutat de vestigis. Passejades per les petjades de la història, pp. 246
- Enric Bou
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- Mollà, Toni (2017). Escrits contra el silenci. (A propòsit de l’obra cívica de Joan Fuster). València: Vincle editorial, pp. 165
- Enric Bou
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- Kortazar, Jon (ed.) (2016). Autonomía e ideología: Tensiones en el campo cultural vasco. Madrid: Iberoamericana; Vervuert, pp. 384
- Aiora Sampedro
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Reviewing Proposals
- Reviewing Proposals
- Dec. 13, 2017
| DC Field | Value |
|---|---|
|
dc.identifier |
ECF_article_1289 |
|
dc.title |
El color del camaleón. A Bold Witness for the Chilean Society |
|
dc.contributor.author |
Ripa Valentina |
|
dc.publisher |
Edizioni Ca’ Foscari - Digital Publishing |
|
dc.type |
Research Article |
|
dc.language.iso |
es |
|
dc.identifier.uri |
http://edizionicafoscari.it/en/edizioni4/riviste/rassegna-iberistica/2017/108/el-color-del-camaleon/ |
|
dc.description.abstract |
The film El color del camaleón (2017) by Andrés Lübbert, which has great cinematic and content merits, can be considered as an important part of Chilean films on memory and post-memory. I focus on its contribution to Chilean memory and the reconstruction of the truth through the unveiling, in particular, of cruel methods of forced recruitment used by the dictatorship’s secret services. They were used as a further tool to instill terror in society, and as a way of submission and control of the population. |
|
dc.relation.ispartof |
Rassegna iberistica |
|
dc.relation.ispartof |
Vol. 40 | Issue 108 | December 2017 |
|
dc.issued |
2017-12-13 |
|
dc.dateSubmitted |
2017-10-04 |
|
dc.identifier.issn |
|
|
dc.identifier.eissn |
2037-6588 |
|
dc.rights |
Creative Commons Attribution 4.0 International Public License |
|
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
|
dc.identifier.doi |
10.14277/2037-6588/Ri-40-108-17-10 |
|
dc.peer-review |
no |
|
dc.subject |
Chilean dictatorship |
|
dc.subject |
Chilean dictatorship |
|
dc.subject |
Documentary cinema |
|
dc.subject |
Documentary cinema |
|
dc.subject |
Memory |
|
dc.subject |
Memory |
|
dc.subject |
Postmemory |
|
dc.subject |
Postmemory |
|
dc.subject |
The grey zone |
|
dc.subject |
The grey zone |
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